Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
Source: Building Entopia - 1975, Chapter 5, The road to Entopia, p. 60
Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
Peter F. Drucker (1909–2005) American business consultant
Civilizing the City, Leader to Leader, No. 7 (Winter 1998)
1990s and later
Ellen Kushner book The Privilege of the Sword
Part IV, Chapter V (p. 385)
The Privilege of the Sword (2006)
Harry Truman (1884–1972) American politician, 33rd president of the United States (in office from 1945 to 1953)
Announcing the Bombing of Hiroshima (1945)
Context: We are now prepared to obliterate more rapidly and completely every productive enterprise the Japanese have above ground in any city. We shall destroy their docks, their factories, and their communications. Let there be no mistake; we shall completely destroy Japan's power to make war.
It was to spare the Japanese people from utter destruction that the ultimatum of July 26 was issued at Potsdam. Their leaders promptly rejected that ultimatum. If they do not now accept our terms they may expect a rain of ruin from the air, the like of which has never been seen on this earth.
David Hockney (1937) British artist
That's what a reasonable person, a person with good manners, would do.
Interview with Marion Finlay, "Hockney on … politics, pleasure, and smoking in public places," FOREST Online (28 July 2004)
2000s
Geert Wilders (1963) Dutch politician
2000s, Speech at the Four Seasons, New York (25 September 2008)
“Of all the aspects of social misery nothing is so heartbreaking as unemployment …”
Jane Addams (1860–1935) pioneer settlement social worker
Source: Twenty Years at Hull-House (1910), Ch. 10
John H. Holland (1929–2015) US university professor
Source: Hidden Order - How Adaptation Builds Complexity (1995), Ch 4. Simulating Echo, p. 146
Context: Model building is the art of selecting those aspects of a process that are relevant to the question being asked. As with any art, this selection is guided by taste, elegance, and metaphor; it is a matter of induction, rather than deduction. High science depends on this art.