
“Art shouldn’t be only the aesthetics we hang on the wall, but a dynamic to shape the society.”
Graf, Marcus. Concepual Colors of Genco Gulan, Revolver Publishing http://www.revolver-books.de/, 2012. ISBN-13: 978-3868952049.
(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914
“Art shouldn’t be only the aesthetics we hang on the wall, but a dynamic to shape the society.”
Graf, Marcus. Concepual Colors of Genco Gulan, Revolver Publishing http://www.revolver-books.de/, 2012. ISBN-13: 978-3868952049.
A Theory of Roughness (2004)
On her concept of plays in “Carmen Rivera” https://www.newschool.edu/drama/faculty/carmen-rivera/ (The New School Drama)
“This dialectical structure must be understood in terms of a dynamic process of communication.”
Source: Dynamics Of Theology, Chapter Nine, The Structure of Interpretation, p. 178
Source: Object-oriented design: With Applications, (1991), p. 37
“.. the gesture that we want.... will be the dynamic sensation itself.”
In a letter to Marinetti, May 1911; as cited by Anne Coffin Hanson, 'Severini Futurista: 1912-1917', exhibition catalog, Connecticut: Yale University Art Gallery, 1995, p. 134
Severini expressed his unwavering dedication to Futurism, approving of its program by citing a fundamental passage of the Futurist manifesto
(Manuscript, 1913); as quoted at dekorera.tumblr: futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo
Futurist Manifesto of Men's clothing,' 1913/1914
Source: Complexity and Postmodernism (1998), p. 3; as cited in: Richard Andrews, Erik Borg, Stephen Boyd Davis (2012), The SAGE Handbook of Digital Dissertations and Theses, p. 129
Quote c. 1915 in 'Cubofuturism', Malevich, in his Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59
1910 - 1920