“Film will only become an art when its materials are as inexpensive as pencil and paper.”

— Jean Cocteau

As quoted in The Super 8 Book (1975) by Lenny Lipton (ed. Chet Roaman); also in Aesthetic Aspects of Recent Experimental Film (1980) by Barry Walter Moore, Garth S. Jowett, p. 6

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Jean Cocteau 123

French poet, novelist, dramatist, designer, boxing manager … 1889–1963

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Poem in The Glassblowers (1950)

“A man provided with paper, pencil, and rubber, and subject to strict discipline, is in effect a universal machine.”

Alan Turing Intelligent Machinery

"Intelligent Machinery: A Report by A. M. Turing," (Summer 1948), submitted to the National Physical Laboratory (1948) and published in Key Papers: Cybernetics, ed. C. R. Evans and A. D. J. Robertson (1968) and, in variant form, in Machine Intelligence 5, ed. B. Meltzer and D. Michie (1969).

“The filmed interview is an art extemporized under difficult conditions and successful only when the interviewee hasn't prepared his replies beforehand.”

Damian Pettigrew book I'm a Born Liar: A Fellini Lexicon

I'm a Born Liar: A Fellini Lexicon (2003)

“No one component of a film can have any meaning in isolation: it is the film that is the work of art. And we can only talk about its components rather arbitrarily, dividing it up artificially or the sake of theoretical discussion.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 114

“It was my dream! I wanted to know what exactly martial arts is. When you look at martial arts films, the later ones became more and more exaggerated. It’s like, wow, is martial arts only a show?”

Wong Kar-wai (1958) Hong Kong screenwriter, film producer and film director

"The Demonstrative Wong Kar Wai" in Interview Magazine (22 August 2013) https://www.interviewmagazine.com/film/wong-kar-wai-the-grandmaster

“Art is not simply an identity of illusion and reality, but a counter-illusion: its world is a material world, but the material of an intelligible spiritual world.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

1:73
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

“When my pencil starts moving, it must be allowed its head or - bang! - nothing more happens.”

Henri de Toulouse-Lautrec (1864–1901) French painter

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 61/62 - in a letter to his friend Etienne Devismes, Late Summer of 1881

“When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work.”

Tom Robbins (1932) American writer

The Syntax of Sorcery (2012)
Context: Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.

“The weapon of criticism obviously cannot replace the criticism of weapons. Material force can only be overthrown by material force, but theory itself becomes a material force when it has gripped the masses. Theory is capable of gripping the masses when it demonstrates ad hominem, and it demonstrates ad hominem, when it becomes radical. To be radical is to grasp things by the root, but for man the root is man himself. The clear proof of the radicalism of German theory, and hence of its political energy, is that it proceeds from the decisive positive abolition of religion.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Contribution to the Critique of Hegel's Philosophy of Right (1843)

“Avant-garde art has become habitual, a dead letter with little spiritual consequence, however materially refined.”

Donald Kuspit (1935) American art critic

"Reconsidering the Spiritual in Art" http://www.blackbird.vcu.edu/v2n1/gallery/kuspit_d/reconsidering_print.htm, Blackbird (2003).

“Film will only become an art when its materials are as inexpensive as pencil and paper.”

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Jean Cocteau 123

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