“I really don't know what to say about this without sounding hypercritical. First of all, the style of playing is so tremendously behind the beat, it gets to the point that I feel he's in opposition to his rhythm section, and I can't get a nice swing out of the thing. The pianist is tremendously heavy-handed, which I think gets in the way of what he's trying to do, so I feel that in some spots he's stumbling, instead of having the feeling that the man is executing what he wants to play. The whole thing strikes me as a sort of comme-ci-comme-ca performance of a like tune. Two stars.”

— Clare Fischer

Reviewing Dodo Marmarosa's recording of "Mellow Mood," https://www.youtube.com/watch?v=xieUt3PqGJ0 from the album Dodo's Back!; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

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Clare Fischer 48

American keyboardist, composer, arranger, and bandleader 1928–2012

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“You don't ever get a chance to play what you really do; and if you do, you notice that you can't play, because you haven't been. And often I'd be asked to play like somebody else, like Joe Sample. I'd say, "I can't play like him. He's an original." I'd be asked to try and the producers would love it, but I'd feel rotten. Then one time I ran into Joe and he told me, "Man, I'm tired of people asking me to play like you."”

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My jaw dropped. Then I found out this is a common practice.
On his years in the studio, playing on films, TV shows and jingles, as quoted in "He Arranges, Composes, Performs: Fischer, A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer