Source: Anti-Intellectualism in American Life (1974), p. 30
“The philosopher does not just ‘play’ with metaphors: his play is of a ‘formidable seriousness’, for it is designed to oppose modernity’s hatred for art, to obliterate precisely the opposition between play and seriousness, dream and reality.”
Source: Nietzsche et la métaphore (1972), p. 18
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Sarah Kofman 6
philosopher from France 1934–1994Related quotes

“Man's maturity: to have regained the seriousness that he had as a child at play.”
Variant: The maturity of man—that means, to have reacquired the seriousness that one had as a child at play
Source: Beyond Good and Evil

Source: The Ordeal of Change (1963), Ch. 12: "Concerning Individual Freedom" [In this passage "transforms the prosaic achievements of society into Promethean tasks, glorious defeats, tragic epics" is a quotation of Raymond Aron from The Opium of the Intellectuals (1957), p. xiv]
Context: In exceptional cases, like Puerto Rico and Israel, where capital and skills are available, rapid modernization is not incompatible with a considerable measure of individual freedom.
To some extent, the present dominant role of the intellectual in the modernization of backward countries also militates against the prevalence of individual freedom. Not only does the intellectual's penchant for tutoring, directing, and regulating promote a regimented social pattern, but his craving for the momentous is bound to foster an austere seriousness inhospitable to the full play of freedom. The intellectual "transforms the prosaic achievements of society into Promethean tasks, glorious defeats, tragic epics." The strained atmosphere of an eternal drama working up toward a climax and a crisis is optimal for heroes and saints but not for the autonomous individual shaping his life to the best of his ability. The chances are that should an advanced country come into the keeping of the intellectual it would begin to show many of the hectic traits which seem to us characteristic of a backward country in the throes of awakening.

“The relationship of art and play: to play is art - consequently I play. I play enraged.”
Jean Tinguely (1959), quoted in: ACM multimedia 2000: proceedings. ACM. Special Interest Group on Multimedia (2000). p. 19.
Quotes, 1950's

“Dialectics and reflection play the same role for the philosopher as does verse for the poet.”
Source: Nietzsche et la métaphore (1972), p. 13

“Man alone of animals plays the ape to his dreams.”
Manuel, in Book Four : Coth at Porutsa, Ch. XXV : Last Obligation upon Manuel
The Silver Stallion (1926)