as quoted in: Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. ed. Stiles, Kristine and Selz, Peter (LA: University of California Press, 1996), p. 405; Cited in: John D. Powell. Preserving the unpreservable: A study of destruction art in the contemporary museum. University of Leicester, 2007. p. 30
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
“So-called immobile objects exist only in movement. Immobile, certain, and permanent things, ideas, works and beliefs change, transform, and disintegrate. Immobile objects are snapshots of a movement whose existence we refuse to accept, because we ourselves are only an instant in the great movement. Movement is the only static, final, permanent, and certain thing. Static means transformation. Let us be static together with movement. Move statically! Be static! Be movement! Believe in movement's static quality. Believe in change. Do not hold onto anything. Change! Do not pinpoint anything! Everything about us is movement. Everything around us is change. Believe in movement's static quality. Be static.”
reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 119
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
Help us to complete the source, original and additional information
Jean Tinguely 21
Swiss painter and sculptor 1925–1991Related quotes
Quoted in: Guy Brett, Hayward Gallery, Museu d'Art Contemporani (Barcelona, Spain) (2000) Force fields: phases of the kinetic. p. 250.
Quotes, 1950's, Static static, static !, 1959
reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 119
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 120
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 120
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
Original text in German:
Es bewegt sich alles, Stillstand gibt es nicht. Lasst Euch nicht von überlebten Zeitbegriffen beherrschen. Fort mit den Stunden, Sekunden und Minuten. Hört auf, der Veränderlichkeit zu widerstehen. SEID IN DER ZEIT – SEID STATISCH, SEID STATISCH – MIT DER BEWEGUNG. Fur Statik. Im Jetzt stattfindenden JETZT... Lasst es sein, Kathedralen und Pyramiden zu bauen, die zerbröckeln wie Zuckerwerk. Atmet tief, lebt Jetzt, lebt auf und in der Zeit. Für eine schöne und absolute Wirklichkeit!
In For Statics (original title: Für Statik), 1958 programmatic text for the 'Concert for Seven Pictures' in Düsseldorf: as quoted in: Arts/Canada. Vol. 25. (1968) p. 4.
Quotes, 1950's
Source: The Walking Drum (1984), Ch. 31
Context: How much could I tell them? How much dared I tell them? What was the point at which acceptance would begin to yield to doubt? For the mind must be prepared for knowledge as one prepares a field for planting, and a discovery made too soon is no better than a discovery not made at all. Had I been a Christian, I would undoubtedly have been considered a heretic, for what the world has always needed is more heretics and less authority. There can be no order or progress without discipline, but authority can be quite different. Authority, in this world in which I moved, implied belief in and acceptance of a dogma, and dogma is invariably wrong, as knowledge is always in a state of transition. The radical ideas of today are often the conservative policies of tomorrow, and dogma is left protesting by the wayside. Each generation has a group that wishes to impose a static pattern on events, a static pattern that would hold society forever immobile in a position favorable to the group in question. <!--
Much of the conflict in the minds and arguments of those about me was due to a basic conflict between religious doctrines based primarily upon faith, and Greek philosophy, which was an attempt to interpret experience by reason. Or so it seemed to me, a man with much to learn.
'Excerpts from the Teaching of Hans Hofmann', p. 66
Search for the Real and Other Essays (1948)