Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017
“Tomasz Vetulani's work balances between two fascinating axes, producing an image of an artist juggling various means of expression. From intriguing and expressive objects, made by him from, say, hot white glue or black silicon, with strong social and political connotations - to subtle images-objects, evoking fleeting states, where the sensitive eye of the artist touches the sublimation of certain senses.”
Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017
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Tomasz Vetulani 18
Polish artist 1965Related quotes

Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140
Source: Art & Other Serious Matters, (1985), p. 51, "Inquest into Modernism"
Kenneth Noland, p. 9
Conversation with Karen Wilkin' (1986-1988)

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Quotes of Sol Lewitt
Source: Art Institute of Chicago. Video Data Bank (1992), On Art and Artists. p. 1991

Source: Outlines of a Philosophy of Art, 1925, p. 7

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>He is and may be but oh! He is, he is,
This foundling of the infected past, so bright,
So moving in the manner of his hand. Yet look not at his colored eyes. Give him
No names. Dismiss him from your images.
The hot of him is purest in the heart. </p