“Stevens’s poetry makes one understand how valuable it can be for a poet to write a great deal. Not too much of that great deal, ever, is good poetry; but out of quantity can come practice, naturalness, accustomed mastery, adaptations and elaborations and reversals of old ways, new ways, even—so that the poet can put into the poems, at the end of a lifetime, what the end of a lifetime brings him. Stevens has learned to write at will, for pleasure; his methods of writing, his ways of imagining, have made this possible for him as it is impossible for many living poets—Eliot, for instance. Anything can be looked at, felt about, meditated upon, so Stevens can write about anything; he does not demand of his poems the greatest concentration, intensity, dramatic immediacy, the shattering and inexplicable rightness the poet calls inspiration.”

—  Randall Jarrell

“The Collected Poems of Wallace Stevens”, p. 65
The Third Book of Criticism (1969)

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Randall Jarrell 215
poet, critic, novelist, essayist 1914–1965

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“…Stevens does not think of inspiration (or whatever you want to call it) as a condition of composition. He too is waiting for the spark from heaven to fall—poets have no choice about this—but he waits writing; and this—other things being equal, when it’s possible, if it’s possible—is the best way for a poet to wait.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Collected Poems of Wallace Stevens”, p. 66
The Third Book of Criticism (1969)

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