“Every genuine work of art has as much reason for being as the earth and the sun.”

1870s, Society and Solitude (1870), Art

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Ralph Waldo Emerson photo
Ralph Waldo Emerson 727
American philosopher, essayist, and poet 1803–1882

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“Art before the modern period is as much art as Neanderthal man is man'. It is for this reason that around the same time I replaced the term "work" for art proposition. Because a conceptual work of art in the traditional sense, is a contradiction in terms.”

Joseph Kosuth (1945) American conceptual artist

Joseph Kosuth. (1969), as cited in: Claude Gintz, ‎Musée d'Art Moderne Paris (1989). L'Art conceptuel, une perspective: exposition au Musée d'art moderne de la Ville de Paris, 22 nov. 1989 - 18 fév. 1990. p. 42

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“A genuine work of art must mean many things; the truer its art, the more things it will mean.”

George MacDonald (1824–1905) Scottish journalist, novelist

The Fantastic Imagination (1893)
Context: "Suppose my child ask me what the fairytale means, what am I to say?"
If you do not know what it means, what is easier than to say so? If you do see a meaning in it, there it is for you to give him. A genuine work of art must mean many things; the truer its art, the more things it will mean. If my drawing, on the other hand, is so far from being a work of art that it needs THIS IS A HORSE written under it, what can it matter that neither you nor your child should know what it means? It is there not so much to convey a meaning as to wake a meaning. If it do not even wake an interest, throw it aside. A meaning may be there, but it is not for you. If, again, you do not know a horse when you see it, the name written under it will not serve you much.

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Immanuel Kant photo

“It is much more natural and reasonable to assume that a nebula is not a unique and solitary sun, but a system of numerous suns”

Immanuel Kant (1724–1804) German philosopher

Free translation, as quoted by Edwin Powell Hubble, The Realm of the Nebulae (1936)
An Original Theory or New Hypothesis of the Universe (1750)
Context: I come now to another part of my system, and because it suggests a lofty idea of the plan of creation, it appears to me as the most seductive. The sequence of ideas that led us to it is very simple and natural. They are as follows: let us imagine a system of stars gathered together in a common plane, like those of the Milky Way, but situated so far away from us that even with the telescope we cannot distinguish the stars composing it; let us assume that its distance, compared to that separating us from the stars of the Milky Way, is the same proportion as the Milky Way is to the distance from the earth to the sun; such a stellar world will appear to the observer, who contemplates it at so enormous a distance, only as a little spot feebly illumined and subtending a very small angle; its shape will be circular, if its plane is perpendicular to the line of sight, elliptical, if it is seen obliquely. The faintness of its light, its form, and its appreciable diameter will obviously distinguish such a phenomenon from the isolated stars around it.
We do not need to seek far in the observations of astronomers to meet with such phenomena. They have been seen by various observers, who have wondered at their strange appearance, have speculated about them, and have suggested some times the most amazing explanations, sometimes theories which were more rational, but which had no more foundation than the former. We refer to the nebulæ, or, more precisely, to a particular kind of celestial body which M. de Maupertius describes as follows:
"These are small luminous patches, only slightly more brilliant than the dark background of the sky; they have this in common, that their shapes are more or less open elipses; and their light is far more feeble than that of any other objects to be perceived in the heavens."
... It is much more natural and reasonable to assume that a nebula is not a unique and solitary sun, but a system of numerous suns, which appear crowded, because of their distance, into a space so limited that their light, which would be imperceptible were each of them isolated, suffices, owing to their enormous numbers, to give a pale and uniform luster. Their analogy with our own system of stars; their form, which is precisely what it should be according to our theory; the faintness of their light, which denotes an infinite distance; all are in admirable accord and lead us to consider these elliptical spots as systems of the same order as our own—in a word, to be Milky Ways similar to the one whose constitution we have explained. And if these hypotheses, in which analogy and observation consistently lend mutual support, have the same merit as formal demonstrations, we must consider the existence of such systems as demonstrated...
We see that scattered through space out to infinite distances, there exist similar systems of stars [nebulous stars, nebulæ], and that creation, in the whole extent of its infinite grandeur, is everywhere organized into systems whose members are in relation with one another.... A vast field lies open to discoveries, and observations alone will give the key.

Jozef Israëls photo

“Lord, oh Lord, will I return to you once, being a genuine artist. Will all those Art lovers once behold my works with reverence and the laurel of Art then adorn my head... I experience so ardently all the beauty of my noble career... And once again I call to you, it would be much better not to live at all than being disappointed in my feeling.”

Jozef Israëls (1824–1911) Dutch painter

translation from original Dutch text: Fons Heijnsbroek
version in original Dutch (citaat uit de brief van Jozef Israëls, in het Nederlands): God God zal ik nog eenmaal als een waarachtig kunstenaar tot u keeren. Zullen nog eenmaal al die Kunstminnaren mijne werken met eerbied aanschouwen en de lauwer der Kunst mijn schedel sieren.. .Ik voel zo vurig al het schoone mijner edele loopbaan.. .Ach nogmaals roep ik tot u, laat mij veel liever niet leven dan in mijne gevoelen teleurgesteld te worden.
In a letter of Jozef Israels from Amsterdam, 16 July 1843, to his friend in Groningen, pharmacist Essingh; from RKD: Archive, A.S. Kok, The Hague
Quotes of Jozef Israels, 1840 - 1870

Ralph Waldo Emerson photo

“A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Art

Wilhelm Lehmbruck photo

“Every work of art must retain something from the first days of creation, something of the smell of earth, or one could even say: something animate.”

Wilhelm Lehmbruck (1881–1919) German sculptor

As quoted in The Art of Wilhelm Lehmbruck (1972) by Reinhold Heller

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“In art [the Chinese] aim at being exquisite, and in life at being reasonable.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

The Problem of China (1922), Ch. XI: Chinese and Western Civilization Contrasted
1920s

“The genuine Anarchist looks with sheer horror upon every destruction, every mutilation of a human being, physical or moral.”

"Anarchism and homicidal outrage" in What Is Anarchism?: An Introduction by Donald Rooum, ed. (London: Freedom Press, 1992, 1995) p. 43.
Context: The genuine Anarchist looks with sheer horror upon every destruction, every mutilation of a human being, physical or moral. He loathes wars, executions and imprisonments, the grinding down of the worker's whole nature in a dreary round of toil, the sexual and economic slavery of women, the oppression of children, the crippling and poisoning of human nature by the preventable cruelty and injustice of man to man in every shape and form.

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