On "Giantess erotica" written by men who have a fantasy of being crushed by large women, as quoted by James Warner in Periodicals of Yesteryear: the Last Issue of The Nose http://www.identitytheory.com/periodicals-of-yesteryear-the-last-issue-of-the-nose/, IdentityTheory.com, April 19, 2009
“People are not aware how entirely, in former ages, the law of superior strength was the rule of life; how publicly and openly it was avowed, I do not say cynically or shamelessly — for these words imply a feeling that there was something in it to be ashamed of, and no such notion could find a place in the faculties of any person in those ages, except a philosopher or a saint.”
Source: The Subjection of Women (1869), Ch. 1
Help us to complete the source, original and additional information
John Stuart Mill 179
British philosopher and political economist 1806–1873Related quotes
"French Letters: The Theory of the New Novel," http://books.google.com/books?id=U_YmAQAAIAAJ&q=%22It+is+the+spirit+of+the+age+to+believe+that+any+fact+no+matter+how+suspect+is+superior+to+any+imaginative+exercise+no+matter+how+true%22&pg=PA317#v=onepage Encounter magazine (December 1967)
"French Letters: Theories of the New Novel," http://books.google.com/books?id=T4lBAAAAIAAJ&q=%22It+is+the+spirit+of+the+age+to+believe+that+any+fact+no+matter+how+suspect+is+superior+to+any+imaginative+exercise+no+matter+how+true%22&pg=PA24#v=onepage Reflections Upon a Sinking Ship (1969)
1960s
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 216.
Introductory
A Treatise on Man and the Development of His Faculties (1842)
Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated