“It took me more than a week to deduce from the evidence around me that everything before my waking up was a dream and everything afterward was reality. There was no basis for distinguishing the two other than the growing pile of new events that seemed to argue against the drunk experience. Little things appeared, like the locked door, the outside of which I could never remember seeing. And a slip of paper from the probate court telling me that some person was committed as insane. Did they mean me?”

— Robert M. Pirsig, book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 7

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Robert M. Pirsig164

American writer and philosopher 1928–2017

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“In dreams you sometimes fall from a height, or are stabbed, or beaten, but you never feel pain unless, perhaps, you really bruise yourself against the bedstead, then you feel pain and almost always wake up from it. It was the same in my dream. I did not feel any pain, but it seemed as though with my shot everything within me was shaken and everything was suddenly dimmed, and it grew horribly black around me. I seemed to be blinded, and it benumbed, and I was lying on something hard, stretched on my back; I saw nothing, and could not make the slightest movement.”

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“So often, people ask me what is the key to success in this industry… or what would be my best advice to give to new comers… and though there are many things I could tell you from my personal experience, persistence and consistency seems to be a common thread to everything I have to say.”

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“I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.”

Robert Louis Stevenson book A Child's Garden of Verses

My Shadow, st. 1.
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“The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to.”

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“Will I see you give
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As the days fly past
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Or fuse it in the sun?Did she wake you up
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“Night fell. I looked for a word like mine, a word to lean upon, a word to sustain me. And it seemed to me that I was going along groping my way as if expecting some one to come from round the corner and tell me everything.”

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“What did I dream? Oh, what did I dream?
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No one could keep me from my…
No fucker gonna keep me from my…
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Lyrics and poetry

“Why should I not expect from the sign of the dream more than I expect from a degree of consciousness which is daily more acute? Can’t the dream also be used in solving the fundamental questions of life? Are these questions the same in one case as in the other and, in the dream, do these questions already exist? Is the dream any less restrictive or punitive than the rest? I am growing old and, more than that reality to which I believe I subject myself, it is perhaps the dream, the difference with which I treat the dream, which makes me grow old.”

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“Turning those revelations into art was a whole other thing…I did it, though — and that helped me realize my power, beyond the pain. Being able to illustrate those experiences for readers was a triumph, because it took everything to resist all the urges I have as a human being to present myself as good, or healed, or undamaged. I had to work against myself to make the memoir, and I ended up more empowered than I ever thought I could be.”

Terese Marie Mailhot (1983) First Nation Canadian writer, journalist, memoirist, teacher

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"That's Why I Love You" (song) <br class="br">Song lyrics <br class="br">Source: Gilbert O'Sullivan, "That's Why I Love You" https://www.youtube.com/watch?v=4zpN5iej40E (song on YouTube)

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Robert M. Pirsig164

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