“Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and also by Whistler, who is a great artist; moreover, he could not have been more charming to me, and has invited me to exhibit at his show.”

— Claude Monet

Quote in a letter to art-critic Theodore Duret (13 August 1887, L. 794); as cited in: Katharine Jordan Lochnan, ‎Luce Abélès, ‎James McNeill Whistler (2004), Turner, Whistler, Monet, p. 179
1870 - 1890

Adopted from Wikiquote. Last update March 9, 2024. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and als…" by Claude Monet?

Claude Monet 87

French impressionist painter 1840–1926

Related quotes

“He took twelve pictures that day.
Within a few days he showed me the contact sheet. "This one has the magic," he said.
When I look at it now, I never see me. I see us.”

Patti Smith Just Kids

Source: Just Kids

“This work fascinates me more than anything else I have ever done. I've been walking about London for the last thirty years, and I find something fresh in it every day.”

Walter Besant (1836–1901) English novelist and historian

October 2, 1897: To-Day, An Interview with Sir Walter Besant http://books.google.com/books?id=unhNAAAAYAAJ&pg=PA262

“John Ruskin: 'The labour of two days is that for which you ask two hundred guineas?'
Whistler: 'No. I ask it for the knowledge I have gained in the work of a lifetime.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Whistler v. Ruskin (1878)
1870 - 1903

“You know, I have written about this and described it in many different settings, and I did misspeak the other day. This has been a very long campaign.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

March 24 & 25, 2008, retracting her remarks regarding Bosnia in private interviews. http://www.cbsnews.com/stories/2008/03/25/politics/main3967223.shtml?source=mostpop_story
Presidential campaign (January 20, 2007 – 2008)

“Jongkind.... his painting was too new and far too artistic to be appreciated in 1862 at his prices. Moreover, no one was as bad at making himself valued, as he was. He was a straight-forward and simple kind of man, who could hardly speak bad French and was very shy. But he was very outgoing that day. He asked to see my sketches, invited me to come and work with him, explained the whys and wherefores underlining his work and thereby, completed the training that I had already received from Boudin. He became from this moment my true master and it [is] to him, that I owe the definitive training of my eyes.”

Claude Monet (1840–1926) French impressionist painter

Quote from Claude Monet par lui-meme – interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in Le Temps newspaper, 26 November 1900
about Johan Jongkind, famous pre-impressionist landscape-painter of Dutch origin, painting then in Honfleur for some years and advising Monet then.
1900 - 1920

“She [Mabel Manderson] uttered a little laugh of impatience. 'So you think he has been talking me round. No, that is not so. I am merely sure he did not do it. Ah! I see you think that absurd. But see how unreasonable you are, Mr Trent! Just now you were explaining to me quite sincerely that it was foolishness in you to have a certain suspicion of me after seeing me and being in my atmosphere, as you said.' Trent started in his chair. She glanced at him and went on: 'Now, I and my atmosphere are much obliged to you, but we must stand up for the rights of other atmospheres. I know a great deal more about Mr Marlowe's atmosphere than you know about mine even now. I saw him constantly for several years. I don't pretend to know all about him; but I do know that he is incapable of a crime of bloodshed. The idea of his planning a murder is as unthinkable to me as the idea of your picking a poor woman's pocket, Mr Trent.”

Edmund Clerihew Bentley book Trent's Last Case

Source: Trent's Last Case (1912), Chapter XIII: "Eruption"

“I’ve spent a lot of time in London over the last few years and I liked the idea of the Mughal emperor Babur meeting with modern-day disaffected youth and talking to them about their actions. He was a sharp literary critic who could be very sweeping and cruel about poetry if he thought it was bad poetry, and he said some fantastic things that I quoted word for word in the opera. I read the Baburnama – the memoirs of Babur – and quoted lines from it. “Writing badly will make you ill.” What a beautiful thing to say. I read that book and I thought, how dramatic! If he had been a figure in western history it would have been an opera. War, murder, love, tragedy, poetry. It always jumped out at me as something worth doing.”

Jeet Thayil (1959) Indian writer

Jeet Thayil: Confessions of an Indian Opium-Eater

“At the time when I was working on the exhibitions I was also very active as a book artist and in photo montage (for I could carry out those assignments when my sickness obliged me remain lying down).”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1926 - 1941, Autobiography of the artist' (1941)

“My own first love was biology. I spent a great part of my adolescence in the Natural History museum in London (and I still go to the Botanic Garden almost every day, and to the Zoo every Monday). The sense of diversity—of the wonder of innumerable forms of life—has always thrilled me beyond anything else.”

Oliver Sacks (1933–2015) British neurologist and writer

Personal correspondence, quoted in Stephen Jay Gould, "Cabinet Museums: Alive, Alive, O!", Dinosaur in a Haystack (Harmony, 1995), p. 245

“My mind has been so much occupied these days by the thought of Cézanne, of how he has been one of the three or four powerful artists who have affected me like a thunderstorm, like some great event. Do you still remember what we saw at Vollard [art-seller in Paris who showed Cézanne's works frequently in his gallery] in 1900? And then, during the final days of my last stay in Paris, those truly astonishing early paintings of his at the Galerie Pellerin. Tell your husband he should see the things there... If it were not absolutely necessary [Paula was pregnant] for me to be here right now [Germany], nothing could keep me away from Paris.”

Paula Modersohn-Becker (1876–1907) German artist

In a letter from Worpswede, 21 October, 1907, to her friend Clara Rilke-Westhoff; as quoted in Voicing our visions, - Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 208
October 1907 Rilke started to write his famous series 'Letters on Cézanne' to his wife Clara Rilke-Westhoff
1906 + 1907

“Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and also by Whistler, who is a great artist; moreover, he could not have been more charming to me, and has invited me to exhibit at his show.”

Help us to complete the source, original and additional information

Claude Monet 87

Related quotes

Related topics