“Adieu, adieu, I am going to see up there [after death] whether friend Corot has found me any new subjects for landscape painting.”

— Charles-François Daubigny

Quote, as recorded by Albert Wolff, 1880's, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 74
Daubigny's final thought for art in 1878 was appearently strongly connected with Corot.
1860s - 1870s

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Charles-François Daubigny 6

French painter 1817–1878

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“One has to see a painter in his own place to get an idea of his worth. I went back there [to Corot's studio, after the official exhibition] and I appreciate in a new light the paintings that I had seen in the Museum and that had struck me as middling... He told me to go a bit ahead of myself, abandoning myself to whatever might come; this is how he works most of the time... Corot delves deeply into a subject; ideas come to him and he adds while working; it's the right approach.”

Eugène Delacroix (1798–1863) French painter

Quote from entry of Delacroix's Journal, 14 March, 1847; as cited in Selected writings on Art and Artists, transl. P. E. Charvet – Cambridge University Press, Archive, 1981, p. 150, note 44
This visit of Delacroix was the beginning of an important friendship
1831 - 1863

“Adieu, Francoise, my trusted wife;
Without you I'd have had a lonely life.
You cheated lots of times but then,
I forgave you in the end
Though your lover was my friend. Adieu, Francoise, it's hard to die
When all the birds are singing in the sky.”

Rod McKuen (1933–2015) American poet, songwriter, composer, and singer

Seasons in the Sun" (1961), as translated from the Jacques Brel song "Le Moribond"· McKuen performance http://www.youtube.com/watch?v=MY__eaedtOA · Beach Boys performance http://www.youtube.com/watch?v=fzjIra9pheU
Goodbye, Michelle, my little one;
You gave me love and helped me find the sun,
And every time that I was down
You would always come around
And get my feet back on the ground. Goodbye, Michelle, it's hard to die
When all the birds are singing in the sky;
Now that the spring is in the air,
With the flowers everywhere,
I wish that we could both be there!
As adapted in the Terry Jacks version (1974)
Translations and adaptations
Context: Adieu, Francoise, my trusted wife;
Without you I'd have had a lonely life.
You cheated lots of times but then,
I forgave you in the end
Though your lover was my friend. Adieu, Francoise, it's hard to die
When all the birds are singing in the sky.
Now that spring is in the air
With your lovers ev'rywhere,
Just be careful; I'll be there.

“Adieu, Francoise, my trusted wife;
Without you I'd have had a lonely life.
You cheated lots of times but then,
I forgave you in the end
Though your lover was my friend.”

Jacques Brel (1929–1978) Belgian singer-songwriter

Seasons in the Sun" (1961), as translated by Rod McKuen from Brel's song "Le Moribond" · McKuen performance http://www.youtube.com/watch?v=MY__eaedtOA · Beach Boys performance http://www.youtube.com/watch?v=fzjIra9pheU
Goodbye, Michelle, my little one;
You gave me love and helped me find the sun,
And every time that I was down
You would always come around
And get my feet back on the ground.Goodbye, Michelle, it's hard to die
When all the birds are singing in the sky;
Now that the spring is in the air,
With the flowers everywhere,
I wish that we could both be there!
As adapted in the Terry Jacks version (1974)
Context: p> Adieu, Francoise, my trusted wife;
Without you I'd have had a lonely life.
You cheated lots of times but then,
I forgave you in the end
Though your lover was my friend.Adieu, Francoise, it's hard to die
When all the birds are singing in the sky.
Now that spring is in the air
With your lovers ev'rywhere,
Just be careful; I'll be there.</p

“There is no difference between landscapes and other subjects: in general in painting I try to express the emotions that the contemplation of the form produces in me.”

Roger Fry (1866–1934) English artist and art critic

Letters by Roger Fry (496 - 497) Chatto and Windus ISBN 9780701115999
Art Quotes

“Friends of my youth, a last adieu! haply some day we meet again;
Yet ne'er the self-same men shall meet; the years shall make us other men.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

“Life's visions are vanished, it's dreams are no more.
Dear friends of my bosom, why bathed in tears?
I go to my fathers; I welcome the shore,
which crowns all my hopes, or which buries my cares.
Then farewell my dear, my lov'd daughter, Adieu!
The last pang in life is in parting from you.
Two Seraphs await me, long shrouded in death;
I will bear them your love on my last parting breath.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

"A death-bed Adieu from Th. J. to M. R." Jefferson's poem to his eldest child, Martha "Patsy" Randolph, written during his last illness in 1826. http://www.loc.gov/rr/program/bib/prespoetry/tj.html Two days before his death, Jefferson told Martha that in a certain drawer in an old pocket book she would find something intended for her. https://books.google.com/books?id=1F3fPa1LWVQC&pg=PA429&dq=%22in+a+certain+drawer+in+an+old+pocket+book%22&hl=en&sa=X&ei=NDa2VJX_OYOeNtCpg8gM&ved=0CCQQ6AEwAQ#v=onepage&q=%22in%20a%20certain%20drawer%20in%20an%20old%20pocket%20book%22&f=false The "two seraphs" refer to Jefferson's deceased wife and younger daughter. His wife, Martha (nicknamed "Patty"), died in 1782; his daughter Mary (nicknamed "Polly" and also "Maria," died in 1804
1820s

“My friends, do they now and then send
A wish or a thought after me?
O tell me I yet have a friend,
Though a friend I am never to see.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 37

“I believe Corot painted a tree better that any of us, but still I find him superior in his figures.”

Edgar Degas (1834–1917) French artist

Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4
note 5: 20 June 1887, - Corot’s biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut told this story (1905. Vol. 1. P. 336)
1876 - 1895

“He (Delacroix) turns David [French painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired by French painters, then] is enough to make him understand all the possibilities of landscape, and he too sets up his easel by the sea... And he has a sense of human being, of life in movement, of warmth. Everything moves, every glistens. The light!... There is more warm light in this interior [probably: Delacroix's 'Woman of Algiers'] of his than in all of Corot's landscapes..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 196 in: 'What he told me – II. The Louvre'

“It was no accident that I found my way to Götz at the time [c. 1960-62]. This 'Informal' element runs through every picture I've painted, whether it's a landscape, or a family painted from a photograph, or the Colour Charts or a Grey picture. And so now it is a pursuit of the same objectives by other means... As I now see it, all my paintings are 'Informal'.... except for the landscapes, perhaps... The 'Informal' is the opposite of the constructional quality of classicism – the age of kings, of clearly formed hierarchies.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 42, note 45 : quote on his period of Informal art

“Adieu, adieu, I am going to see up there [after death] whether friend Corot has found me any new subjects for landscape painting.”

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Charles-François Daubigny 6

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