“Actually, one of the real problems that always bothers me [in creating a painting] is sustaining a feeling. I mean, when I look at Poussin now, well, I think that's the most incredible thing to maintain the feeling for a year, however long it took Poussin, I'm telling you, to paint this vast structure. Bur perhaps that is not given to us now. I don't know…. Actually all all modern art puzzles me. I don't understand it. II really don't. I don't know whether it is fragmentary [as David Sylvester the interviewer suggested]. I have a sickening nostalgia for this other state of sustaining a feeling for months, being able to construct and build a picture. Well Mondrian, I think, did that, of course. He was almost one of the last artists to do that. I wish I could get there.”

“You should know me well enough by now to know I don't ask for things I don't think I can get.”

“See, I never understand why my paintings hold together because I don't have any tricks for doing it and that is usually what makes a painting academic. There were some well-known devices for making a painting work hold together, ave cohesion. This seemed to be organized. But I don't necessarily have to know what the mechanism is. For me, what it really is, is something you have in yourself that makes you feel, it gives the painting a feeling of unity, of oneness, and being of all of one piece.”

“Most of the time you don't even know they're there. Now, that's the scary thing. It's really strange and invading, but I'm still working it all out. I try to not let it bother me. And if I want to swim naked in my pool, I'm still going to do it. I certainly don't want to feel that I have to change everything in my life that I do to cater to them. I just won't let it happen.”

“I don't feel any direct relationship between what I do and existing art. Though there is unavoidable progression: the things all paintings have in common are paint, and color, and some means of application. With the standard you can make any two pictures appear either alike of different. I don't think whether they're alike or different is really very interesting.”

“And now I know it's hard when you don't know what to think

And every single smile is a foil and you're waking up

You might try but you won't get by until you're crucified for all the things you try to do

Well I don't care if you sink or swim

And I don't care how you hold it in

As long as you don't bother me with all the things I don't bother you with

And 9 times out of 10 you might be right

But what about that time you know you're wrong?

You sing that same song

And everybody smiles but they'll never get along”

“I don't always understand poetry!'

'You don't always understand it? Timms, I never understand it. But learn it now, know it now and you will understand it… whenever.”

“I was shy as a child. Now I'm not really shy any more, unless I'm with shy people. I find it contagious and I don't know what to say. But I don't think shyness is something one should feel apologetic about.”

“To a question on whether he feels support from the common fan: "I don't feel love from them because there's no love. They don't know me as an individual; they know me for what I actually do. Because they pay to see me smash anybody. If they're white they pay, [it's] because the only thing they have respect for is my ability as an athlete. But if I was in court and I had to use them to testify against me on my character, they wouldn't testify positively against me and they would think I'm a cad…"”

“There are all these people here I don't know by sight or by name. And we pass alongside each other and don't have any connection. And they don't know me and I don't know them. And now I'm leaving town and there are all these people I will never know.”