Source: Soldiers Live (2000), Chapter 2, “An Abode of Ravens: When the Baobhas Sang” (p. 367)
“Basically, the whole thing of the project is to take it back to my old sound, the old DJ Paul sound. Before Three 6 Mafia when I was just DJ Paul and it was just me and my brother Lord Infamous. It was like a mix of songs and it was either me or members of my crew and some of it would be my signature “Crunkstrumentals” which would be instrumentals with crunk chants and sampled hooks and this and that on it. I brought those back a little bit on my last album Yots (Year Of The Six) Pt. 2 that dropped last quarter of last year, 2016. So, there will be more of those on there, like I said it’s just the original OG Paul sound that’s what the fans been asking for and I see that what a lot of people are back into these days, there using that old three six sounds and a lot of people are sampling it and clear samples from me. They sampled the creator it takes the king to bring it back himself. I never left it alone, to be honest with you, but I just didn’t do full albums of it. It would just be a track on my albums or mixtapes, not a single but this whole Volume 17 mixtape is going to be like that.”
Interview with Three 6 Mafia Founder DJ Paul http://therapfest.com/behind-lyrics-interview-three-6-mafias-founder-dj-paul/
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DJ Paul 4
American rapper and record producer 1977Related quotes
                                        
                                        As quoted in  "Dolly Parton: Gee, She’s So Nice" https://www.rogerebert.com/interviews/dolly-parton-gee-shes-really-nice (7 December 1980), by Roger Ebert, Roger Ebert 
1980s
                                    
                                        
                                        Six String Orchestra 
Song lyrics, Verities & Balderdash (1974)
                                    
“My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit.”
                                        
                                        Interview with Mukunda Goswami (4 September 1982) 
Context: My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit. The point was to have the people not offended by "Hallelujah," and by the time it gets to "Hare Krishna," they're already hooked, and their foot's tapping, and they're already singing along "Hallelujah," to kind of lull them into a sense of false security. And then suddenly it turns into "Hare Krishna," and they will all be singing that before they know what's happened, and they will think, "Hey, I thought I wasn't supposed to like Hare Krishna!"
                                    
I Wanna Go Backwards CD booklet (Chapel Hill, NC: Yep Roc Records, 2007) p. 4.
                                        
                                        On her lifelong use of the name "Happy", in  "The Happy Rhodes Interview" in Homeground #48 (Summer 1993) http://web.archive.org/web/20091023165015/http://geocities.com/SoHo/Studios/3450/homeground.html 
Context: The first time my brothers saw me, when I was a day or two old and still in the hospital, my brother Mark could not pronounce the name "Kimberley," and I was an especially happy baby, so he decided it would be easier to call me "Happy." From that moment on, my family members never used the name Kimberley. I was forced, however, to use my given name while attending school. As soon as I turned sixteen, my name was legally changed to Happy Tyler Rhodes. As far as I'm concerned, it's the ony name I've ever had. When people ask me if it's my real name, I always say "yes."
                                    
' CD booklet (Chapel Hill, NC: Yep Roc Records, 2007) p. 4.
Charlie Rose, (December 16, 1996) "Charlie Rose - An interview with Madeline Kahn" http://www.charlierose.com/view/interview/5799, Charlie Rose, PBS
                                        
                                        from: 'Lebenserinnerungen', 1938 
Source: 1936 - 1941, Life Memories' (1938), p. 186