“Amice, be so good, if it is not too late, to scrape the title 'l'Aprês-Midi' ['Afternoon', title of the work submitted for the exhibition] and simply put on it 'Paysage', for the simple reason.... because I chose the moment [in the work] that the sun starts to color and (sic) because there is vapor - many people will wrongly see it as a 'morning'. Mauve will send another aquarelle..”

— Paul Gabriël

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Amice, Wees zoo goed, indien het niet te laat is, de titel 'l'Aprês-Midi' ['Namiddag' titel van een ingezonden werk voor een expositie] uit te schrabben en eenvoudig maar Paysage te zetten om den eenvoudige reden.. ..daar ik het moment genomen heb [in het werkje] dat de zon begint te kleuren en (sic) doordien er damp is - door velen voor een morgen aangezien zal worden. Mauve zal een anderen aquarelle zenden..
Quote of Gabriël, in his letter to Henry Hymans (Secr. de Societé des Aquarellistes Bruxelles, from Schaerbeek 14 April, 1867; taken from an excerpt in the Collection RKD: Letters, Manuscripts and small Archives https://rkd.nl/explore/excerpts/158, The Hague
1860's + 1870's

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Paul Gabriël 12

painter (1828-1903) 1828–1903

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(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
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Already in 1914 Jacoba started to number her paintings and drawings
1920's