“I was painting modern Paris while you were still painting Greek athletes..”

— Edouard Manet

quote from The Impressionists at first hand, by Bernard Denvir; Thames and Hudson, London 1991, p. 78
remark to his friend Edgar Degas, (quoted by George Moore circa 1879). Later Degas reacted: 'That Manet, as soon as I started painting dancers, he did them.'
1876 - 1883

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I was painting modern Paris while you were still painting Greek athletes.." by Edouard Manet?

Edouard Manet 29

French painter 1832–1883

Related quotes

“.. that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].... to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.”

Carlo Carrà (1881–1966) Italian painter

Quote in The painting of Sounds, Noises and Smells Carrà, in 'Lacerba' vol. 1. no. 17, 1,Florence, 1 September 1913, pp. 186-187
1910's

“In 1949, I ceased figurative painting and began works that were object oriented. The drawings from plant life seem to be a bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work. After arriving in Paris in 1948, I realized that figurative painting and also abstract painting (though my knowledge of the latter was very limited) as I had known in the 20th century no longer interested me as a solution to my own problems. I wanted to give up easel painting which I felt was too personal.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'

“This bubbling and whirling of forms and lights, composed of sounds, noises, and smells has been partly achieved by me in my 'Anarchical funeral' [the painting Carra painted ca 1910-1911, ed. ].... by Umberto Boccioni in his 'States of Minds' and 'Forces of a Street' [both paintings Boccioni painted in 1911], by Russolo in 'Rebellion' (1911) and Severini in 'Pan-Pan [the first version, Severini painted in 1909-1911], paintings which were violently discussed at our first Paris exhibition in 1912.”

Carlo Carrà (1881–1966) Italian painter

Quote in La Pittura dei suoni, rumori, odori Carrà, 11 Aug 1913, as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 142
1910's

“But I find, because of modern painting, that things which couldn't be seen in terms of painting, things you couldn't paint.... it is not that you paint them, bit is the connection. I imagine that Cézanne, when he painted a ginger pot with apples, must have been very grotesque in his day, because a still life was something set up of beautiful things. It may be very difficult, for instance, to put a Rheingold bottled beer on the table and a couple of glasses and a package of Lucky Strike [cigarets]. I mean, you know, there are certain things you cannot paintat a particular time, and it takes a certain attitude how to see those things, in terms of art.”

Willem de Kooning (1904–1997) Dutch painter

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 54
1960's

“Powerful empires existed and flourished here (in India) while Englishmen were still wandering, painted, in the woods, and while the British Colonies were still a wilderness and a jungle. India has left a deeper mark upon the history, the philosophy, and the religion of mankind, than any other terrestrial unit in the universe.”

George Curzon, 1st Marquess Curzon of Kedleston (1859–1925) British politician

Lord Curzon, while Viceroy of India, in his address at the Great Delhi Durbar in 1901. Quoted from Stephen Knapp, Mysteries of the Ancient Vedic Empire https://stephenknapp.wordpress.com/2015/10/30/a-look-at-india-from-the-views-of-other-scholars/

“For example, Rothko and I came to an agreement on the question of the subject matter; if we were to do something which could develop in some direction other than the accepted directions of that time, it would be necessary to use different subjects to begin with, and 1942, we embarked on a series of paintings that attempted to use mythological subject matter, preferably from Greek mythology. I did a series of paintings on the theme of Oedipus and Rothko did a series of paintings on other Greek themes….. this offered a possibility of a way out [of a. o. Social Realism and Cubism ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 31
1960s

“.. it was Seurat who first and most successfully established a balance between subject, composition and technique.... the modern world that Seurat wished to paint... I understood his importance as soon as I arrived in Paris [1906]... I chose Seurat as my master for once and for all.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 35; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 12

“They were the first Westerners. The spirit of the West, the modern spirit, is a Greek discovery; and the place of the Greeks is in the modern world.”

Edith Hamilton (1867–1963) American teacher and writer

On the Greeks, in Ch. 1
The Greek Way (1930)

“The most perfect art was Greek art. Raphael is the greatest of all masters in painting.”

Emil Nolde (1867–1956) German artist

Such were the doctrines of every art teacher only twenty or thirty years ago.
1.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

“I would rather paint the victims than the killers... When Warhol painted the killers, I painted the victims. The subjects were of poor people, banal poor dogs.”

Gerhard Richter (1932) German visual artist, born 1932

comment on his painting 'Eight student nurses', compared with Warhol's art-work 'Thirteen most wanted man', in 1964
Source: after 2000, Doubt and belief in painting' (2003), p. 56, note 79

“I was painting modern Paris while you were still painting Greek athletes..”

Help us to complete the source, original and additional information

Edouard Manet 29

Related quotes

Related topics