Quote from Abstract Expressionism, Barbara Hess, New York, Abrams, 1971, p. 29
1970s - 1980s
“Morris Louis and I were interested in how Pollock and Helen Frankenthaler [famous for her soak-painting technique] were using paint. Of necessity we had to get more interested in the stuff of painting. We talked a lot about whether to size the painting or not to size, how to mix up paint.”
Kenneth Noland, p. 14
Conversation with Karen Wilkin' (1986-1988)
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Kenneth Noland 28
American artist 1924–2010Related quotes
Kenneth Noland, p. 14
Conversation with Karen Wilkin' (1986-1988)
from: Abstract Art, Anna Moszynska; Thames and Hudson 1990, p. 194

“Painting doesn't interest me... What I paint is beyond painting.”
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

As quoted in her obituary in The New York Times (14 December 1961) http://www.nytimes.com/learning/general/onthisday/bday/0907.html
quote c. 1959, in 'Preface to Stripe Painting', by Carl Andre, in Sixteen Americans ed. Miller, p. 76
Andre's remark is referring to Andre's close artist-friend Frank Stella, the American minimalist painter

In a conversation https://intelligence.org/wp-content/uploads/2014/01/01-16-2014-conversation-on-existential-risk.pdf with Luke Muehlhauser and Eliezer Yudkowsky, January 2014; part of this is quoted by Carl Shulman in "Population ethics and inaccessible populations" https://reflectivedisequilibrium.blogspot.com/2014/08/population-ethics-and-inaccessible.html
Context: So one crazy analogy to how my morality might turn out to work, and the big point here is I don't know how my morality works, is we have a painting and the painting is very beautiful. There is some crap on the painting. Would I like the crap cleaned up? Yes, very much. That's like the suffering that's in the world today. Then there is making more of the painting, that's just a strange function. My utility with the size of the painting, it's just like a strange and complicated function. It may go up in any kind of reasonable term that I can actually foresee, but flatten out, at some point. So to see the world as like a painting and my utility of it is that, I think that is somewhat of an analogy to how my morality may work, that it's not like there is this linear multiplier and the multiplier is one thing or another thing. It's: starting to talk about billions of future generations is just like going so far outside of where my morality has ever been stress-tested. I don't how it would respond. I actually suspect that it would flatten out the same way as with the painting.