The World's Religions (1991)
Context: He [Jesus] could have been that [a healer and exorcist]--indeed, he could have been "the most extraordinary figure in … the stream of Jewish charismatic healers," as the same New Testament scholar goes on to say--without attracting more than local attention. What made him outlive his time and place was the way he used the Spirit that coursed though him not just to heal individuals but -- this was his aspiration -- to heal humanity, beginning with his own people.
“Time may restore us in his course
Goethe’s sage mind and Byron’s force;
But where will Europe’s latter hour
Again find Wordsworth’s healing power?”
St. 6
Memorial Verses (1852)
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Matthew Arnold 166
English poet and cultural critic who worked as an inspector… 1822–1888Related quotes
St. 4
Memorial Verses (1852)
Source: Night Falls Fast: Understanding Suicide
Quoted from: w:Larry King Weekend, Interview With Maharishi Mahesh Yogi (2002-05-12) http://transcripts.cnn.com/TRANSCRIPTS/0205/12/lklw.00.html
Stefan Zweig, in his book Romain Rolland: The Man and His Work. Translated from the original manuscript by Eden and Cedar Paul. (New York: Thomas Seltzer, 1921)
S - Z
Es gibt nur eine Heilkraft, und das ist die Natur; in Salben und Pillen steckt keine. Höchstens können sie der Heilkraft der Natur einen Wink geben, wo etwas für sie zu tun ist.
Neue Paralipomena
Essays
The Aristos (1964)
Context: The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. He feels himself mysteriously inspired or possessed. The craftsman, on the other hand, is content to use the traditional materials and techniques. The more self-possessed he is, the better craftsman he will be. What pleases him is skill of execution. He is very concerned with his contemporary success, his market value. If a certain kind of political commitment is fashionable, he may be committed; but out of fashion, not conviction. The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. <!-- no. 61
Speech to the Byron centenary luncheon (29 April 1924), quoted in On England, and Other Addresses (1926), pp. 123-124.
1924