“I agree with Rosenberg’s text that says anything is art as soon as it is put in a museum. And that is why artists are such appalling things, since they are responsible for this state of affairs in art.”

— Daniel Buren

Source: Art is no longer justifiable or setting the record straight, 2000, p. 66

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Daniel Buren 11

sculptor from France 1938

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“Not long ago only a few artistic periods were thought suitable for museums. Then they were joined by exhibitions of Coptic and early Christian art, Greek terracotta's and vases, Persian and Islamic art. But why is Indian, Chinese and Javanese art still classified under ethnology or anthropology? And why is the art of primitive peoples not considered art at all?”

Emil Nolde (1867–1956) German artist

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“The one place for art-as-art is the museum of fine art. The reason of the museum or fine art is the preservation of ancient and modern art that cannot be made again and that does not have to be done again. A museum of fine art should exclude everything but fine art, and be separate of museums of ethnology, geology, archaeology, history... Any disturbance of a true museum's soundlessness, timelessness, airlessness, and lifelessness is a disrespect.”

Ad Reinhardt (1913–1967) American painter

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155

“Putting a shovel in a gallery or museum signified “this shovel has become art.” And it actually was. The action itself is art, because the artist projects himself in choosing the shovel, and especially in placing it out of context. It is art in the sense that the imprint of a hand in a cave is art, the Mona Lisa is art, a happening is art, etc. It is a problem that touches on the ethics and function of the artist: he assumes the right to have this supra-human calling that allows him to say to others, “everything that I touch with my hand is transformed into art.” The artist imposes his anguish, his vision of the world, and himself on others. The artist emasculates the observer. Maybe he thinks that the latter deserves no better… The artist assumes the right to show you what you can see for yourself, what you could obviously see much more clearly without his intervention. I contest this right.”

Daniel Buren (1938) sculptor from France

Source: Art is no longer justifiable or setting the record straight, 2000, p. 66-67

“You want to know how I think art should be taught to children? Take them to a museum and say, 'This is art, and you can't do it.”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

Source: An Object of Beauty

“As far as I can tell, the only thing worth looking at in most museums of art is all the schoolgirls on day trips with the art department.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

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“The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim.”

Oscar Wilde book The Picture of Dorian Gray

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“As I have said many times, for me an artist is a person who says he's an artist, and an artwork is what an artist says is an artwork. Although for myself, I am not interested in ideas as the burden of art.... the important thing about art is how it stimulates us. I think the more you are stimulated by more different kinds of art, the more demanding you're going to become on the level of your stimulation. The key to art is experience of it and proximity to it.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 14

“He opened the door that so many of us went through, the door of possibility, by saying anything an artist makes is art.”

Peter Blake (1932) British artist

Serena Davies, "In the studio:Peter Blake, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/12/13/bastudio13.xml The Daily Telegraph, 2005-12-13
On Marcel Duchamp.
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“German: I am the first living art museum”

Genco Gulan (1969) contemporary artist

Ich bin das erste lebende kunst museum.
Arikonmaz, Piril Gulesci (2012-02-02) 'Ben bir müzeyim’ http://www.haberturk.com/yazarlar/piril-gulesci-arikonmaz/712691-ben-bir-muzeyim Haberturk (In Turkish). Retrieved 2012-06-01.

“It was not the inexperienced art public that became American Scenists. It was the artists themselves, a highly sophisticated group, thoroughly familiar with the art work and the art traditions of the world, who had flocked to Paris to participate in the great cultural center, who were very conscious of the Impressionists and Post-Impressionists revolutions, who fell for this propaganda [to strive for a pure national American art]. It is upon them that responsibility falls. Their support of this reactionary philistinism is an inexcusable betrayal... It is time for the artists to wake up and re-examine their aesthetic foundations; to rid themselves of the millstone that has made art in America an expensive picture postcard-factory... It is time that artists refused isolationist money, repudiated the art dealers, the favor of the museum directors. It is time artists forgot about success..”

Barnett Newman (1905–1970) American artist

Quote of 1942; in Barnett Newman', by Thomas B. Hess, museum of Modern art, New York 1971; as cited in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 124-125
1940 - 1950

“I agree with Rosenberg’s text that says anything is art as soon as it is put in a museum. And that is why artists are such appalling things, since they are responsible for this state of affairs in art.”

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Daniel Buren 11

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