“"Ylma is having you work it out in the most gruesome way possible… so that when she teaches you how it's really done, it'll seem that much easier…. Like hitting yourself in the head with a hammer—it feels so good when you stop." This was the oldest joke in the world, but Barb hadn't heard it before, and he became so amused that he got physically excited and had to run back and forth across the kitchen several times to flame off energy. A few weeks ago, I would have been alarmed by this and would have tried to calm him down, but now I was used to it, and knew that if I approached him physically things would get much worse.”

— Neal Stephenson , book Anathem

Part 4, "Anathem"
Anathem (2008)

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Neal Stephenson 167

American science fiction writer 1959

Allan Pease book The Definitive Book of Body Language

Source: The Definitive Book of Body Language

“Practically speaking, if timesaving devices really saved time, there would be more time available to us now than ever before in history. But, strangely enough, we seem to have less time than even a few years ago. It's really great fun to go someplace where there are no timesaving devices because, when you do, you find that you have lots of time. Elsewhere, you're too busy working to pay for machines to save you time so you won't have to work so hard.”

Benjamin Hoff book The Tao of Pooh

Bisy Backson.
The Tao of Pooh (1982)

“He lacks confidence to the most enormous degree of all the people in the world. He will not even go to see his rushes. He’ll stay out in the alley and pace up and down and worry and collar you when you come out and say: ‘How good was so and so?’, and he’ll keep you for 45 minutes. It would be much simpler if he would go and look at them himself, you know? But he always thinks he’s no good.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Vincente Minnelli quoted in Schickel, Richard. The Men Who Made The Movies. New York: Atheneum, 1975. (M).

“Could you try not aiming so much?" he asked me, still standing there. "If you hit him when you aim, it'll just be luck.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

He was speaking, communicating, and yet not breaking the spell. I then broke it. Quite deliberately. "How can it be luck if I aim?" I said back to him, not loud (despite the italics) but with rather more irritation in my voice than I was actually feeling. He didn't say anything for a moment but simply stood balanced on the curb, looking at me, I knew imperfectly, with love. "Because it will be," he said. "You'll be glad if you hit his marble — Ira's marble — won't you? Won't you be glad? And if you're glad when you hit somebody's marble, then you sort of secretly didn't expect too much to do it. So there'd have to be some luck in it, there'd have to be slightly quite a lot of accident in it."
Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“For you it must be a great satisfaction that you have done so much for modern art. If Der Sturm had not worked like this for ten years then Germany would not have been at the forefront of the movement.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018, version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Voor jou een grote bevrediging dat je zo veel voor de moderne kunst gedaan hebt. Als Der Sturm niet tien jaren zo gewerkt had [met o.a. maandelijkse exposities!] dan had Duitsland niet aan de spits van de beweging gestaan.
In her letter to Herwarth Walden, 24 August 1921; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5); Waanders, Zwolle, 2005, p. 183
Jacoba refers to the almost monthly exhibitions and the many publications of Der Sturm
1920's

“When you are working, you are so far away and so absorbed, it's inevitable that you fall into a vacuum when you stop.... every time when I finish a painting, I always have to wait to get my strength back before I can begin another.”

Bram van Velde (1895–1981) Dutch painter

3 April 1972; p. 90
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

“My son, my son. When I had my son I would explain all that to him when he was starry enough to like understand. But then I knew he would not understand or would not want to understand at all and would do all the veshches [things] I had done…and I would not be able to really stop him. And nor would he be able to stop his own son, brothers. And so it would itty on to like the end of the world.”

Anthony Burgess (1917–1993) English writer

Fiction, A Clockwork Orange (1962)

“That was when I started telling Polish jokes. Actually, Maz robbed me. If I had hit that home run, I would have made a lot more out of it than Maz did. He never made much effort to capitalize on it. Can you imagine what that homer would be worth in endorsements today?”

Dick Stuart (1932–2002) American baseball player

On the walk-off home run—hit with pinch hitter Stuart on-deck—that ended the 1960 World Series; as quoted in "A Sad Story: Dick Stuart's Bat Was Solid; So Was His Glove"

“"But she's too big!" the anguished man said, still glaring at Vivian. "This girl is not the right size!"
…
"She was six when she went away, Father," Jonathan said. He did not seem in the least alarmed. "That was nearly six years ago. Think how much I've changed since then."
"So you have," said this alarming man, turning his glare on Jonathan as if he did not think the change was for the better. "I see," he said. "She grew."”

Diana Wynne Jones book A Tale of Time City

Source: A Tale of Time City (1987), p. 45.

“Strangely, I liked them (the Sex Pistols) until they made records. I saw them quite a few times before they actually made records. And when they did, it just became… suddenly punk had this enormous scope and was everywhere. Obviously it lost everything. And looking back, I don't really have that much affection for the whole punk thing. It really didn't mean so much to me at all. But of course, I would rather it have been there than not.”

Morrissey (1959) English singer

From a radio interview with David Jensen (1983)
In interviews etc., About other artists

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Neal Stephenson 167

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