“Dour, anxious Hesiod writes about the daily round of farming and the effects if the seasons on rural life but also speaks in his Works and Days about the value of festal competitions with "potter against potter, carpenter against carpenter… poet against poet."”

— Thomas Cahill

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch. III The Poet: How to Party

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Thomas Cahill 58

American scholar and writer 1940

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Obituary in The Guardian http://books.guardian.co.uk/obituaries/story/0,,2099883,00.html
About

“When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem.”

Richard Wilbur (1921–2017) American poet

National Book Award Acceptance Speech (1957)
Context: When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.

“Christ himself would agitate against them. He would agitate against the plutocrats and hypocrites who tell workers to go down on their knees and get right with God. Christ, the carpenter’s son, would tell them to stand up on their feet and fight for righteousness and justice on earth.”

Mary Harris Jones (1837–1930) Irish-born American labor and community organizer

Source: Autobiography of Mother Jones

“A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.”

Stephen Spender (1909–1995) English poet and man of letters

Foreword
The Still Centre (1939)
Context: A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.
Poetry does not state truth, it states the conditions within which something felt is true. Even while he is writing about the little portion of reality which is part of his experience, the poet may be conscious of a different reality outside. His problem is to relate the small truth to the sense of a wider, perhaps theoretically known, truth outside his experience.

“They say a carpenter's known by his chips.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Polite Conversation (1738), Dialogue 2

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

“Speak against unconscious oppression,
Speak against the tyranny of the unimaginative,
Speak against bonds.”

Ezra Pound (1885–1972) American Imagist poet and critic

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

“… the fact is, they are sculptures, since they show the relationship of object to object and that is the idea and purpose of a sculpture. I’ve got nothing against ‘poetry,’ but it’s only resonance and tempo. Each of my works is perhaps also indeed a poetic sculpture. It’s not that I think it’s a bad word, poetry, but I’m not a poet, since a poet is concerned with the relationship of human beings to human beings.”

Lawrence Weiner (1942) American artist

Gerti Fietzek, Gregor Stemmrich. Having been said: writings & interviews of Lawrence Weiner, 1968-2003, Hatje Cantz, 2004. p. 158

“It is not only the privilege, but also the duty of free people – to speak out against any ideology that threatens freedom. Hence it is a right and a duty … to speak the truth about the evil ideology that is called Islam.”

Geert Wilders (1963) Dutch politician

Speech https://www.youtube.com/watch?v=0pfEJaI2iS4 (7 February 2011)
2010s

“Dour, anxious Hesiod writes about the daily round of farming and the effects if the seasons on rural life but also speaks in his Works and Days about the value of festal competitions with "potter against potter, carpenter against carpenter… poet against poet."”

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Thomas Cahill 58

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