“But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness."”

—  Robert Morgan

This is part of the pity of Modernism, one of the sacrifices it enjoins...
Clement Greenberg, Robert C. Morgan in: Clement Greenberg, Late Writings in Detached Observations http://books.google.co.in/books?id=8wFNAAAAYAAJ, University of Minnesota Press, 30 January 2007, p. 70

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American art historian 1943

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“Purity" of and in art — any art, including music and dance — is an illusory notion, of course. It may be remotely conceivable or imaginable, but it can't be realized because it can't be recognized any more than a "pure" human being or a "pure" (or, for that matter, gratuitous) act can be. All the same, for Western art in its Modernist phase "purity" has been a useful idea and ideal, with a kind of logic to it that has worked, and still works, to generate aesthetic value and maintain aesthetic standards as nothing else in our specializing culture has over the last hundred-odd years.But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness.”

Clement Greenberg (1909–1994) American writer and artist

This is part of the pity of Modernism, one of the sacrifices it enjoins....
"Detached Observations" http://www.sharecom.ca/greenberg/detached.html, Arts Magazine (December 1976)
1970s

Henry Moore photo

“Too often in a modern building the work of art is an afterthought – a piece of decoration added to fill a space that is felt to be too empty. Ideally the work of art should be a focus round which the harmony of the whole building revolves – inseparable from the design, structurally coherent and aesthetically essential... He [the sculptor] will want to consider both external proportions and internal space volumes in relation to the size and style of sculpture that might be required – not merely the decorative function of sculpture... I am thinking of the didactic and symbolic functions of sculpture in Gothic architecture, inseparable from the architectural conception itself…”

Henry Moore (1898–1986) English artist

Quote of Moore, as cited by Unesco, International Conference of artists, Venice 1952; typescript, in HMF Library
1940 - 1955

Muhammad al-Taqi photo

“Modesty is the decoration of poverty, thanks-giving is the decoration of affluence and wealth. Patience and endurance are the ornaments and decorations of calamities and distress. Humility is the decoration of lineage, and eloquence is the decoration of speech. Committing to memory is the decoration of tradition (hadīth), and bowing the shoulders is the decoration of knowledge. Decency and good morale is the decoration of the mind, and a smiling face is the decoration of munifence and generiosity. Not boasting of doing favours is the decoration of good deeds, and humility is the decoration of service. Spending less is the decoration of contentment, and abondoning the meaningless and unnecessary things is the decoration of abstention and fear of God.”

Muhammad al-Taqi (811–835) ninth of the Twelve Imams of Twelver Shi'ism

al-Shahid al-Tustari, Ihqaqul-Haq, vol.12, p. 434
General

Pablo Picasso photo

“Art is not made to decorate rooms. It is an offensive weapon in the defense against the enemy.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

La peinture n'est pas faite pour décorer des appartements. C'est un instrument de guerre offensive et défensive contre l'ennemi.
La pintura no se ha inventado para adornar las habitaciones. La pintura es un arma ofensiva, en la defensa contra el enemigo.
Les lettres françaises (1943-03-24).
Quotes, 1940's

“Art is not merely a decorative enhancement of our lives but a sign of our desire to live in the world fully and honestly.”

Jan Zwicky (1955) Canadian philosopher

Governor Generals Award for Poetry, Nov. 1999.
Other

Anthony Trollope photo

“She well knew the great architectural secret of decorating her constructions, and never descended to construct a decoration.”

Anthony Trollope book Barchester Towers

Source: Barchester Towers (1857), Ch. 9

Muhammad photo

“For every thing there is an embellishment (or a decoration), and the embellishment of the Qur’an is a good voice.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Biharul Anwar, Volume 92, Page 190
Shi'ite Hadith

Ernest Hemingway photo

“Prose is architecture, not interior decoration, and the Baroque is over.”

Ernest Hemingway book Death in the Afternoon

Source: Death in the Afternoon (1932), Ch. 16

Joseph Kosuth photo

“It is necessary to separate aesthetics from art because aesthetics deals with opinions on perception of the world in general. In the past one of the two prongs of art’s function was its value as decoration. So any branch of philosophy that dealt with “beauty” and thus, taste, was inevitably duty bound to discuss art as well. Out of this “habit” grew the notion that there was a conceptual connection between art and aesthetics, which is not true. This idea never drastically conflicted with artistic considerations before recent times, not only because the morphological characteristics of art perpetuated the continuity of this error, but as well, because the apparent other “functions” of art (depiction of religious themes, portraiture of aristocrats, detailing of architecture, etc.) used art to cover up art.”

Joseph Kosuth (1945) American conceptual artist

Art after Philosophy, 1969

Maurice Denis photo

“Decorative and edifying. That is what I want art to be before anything else.”

Maurice Denis (1870–1943) French painter

as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [41]
Nouvelles théories sur l'art moderne..., 1922

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