“To my mind certain so-called abstraction is not abstraction at all.... on the contrary it is realism of our time.”

—  Adolph Gottlieb

1950s, Conversations With Artists, 1957

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Adolph Gottlieb photo
Adolph Gottlieb 27
American artist 1903–1974

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“The role of the artist, of course, has always been that of image-maker. Different times require different images. Today when our aspirations have been reduced to a desperate attempt to escape from evil, and times are out of joint, our obsessive, subterranean and pictographic images are the expression of the neurosis which is our reality. To my mind certain so-called abstraction is not abstraction at all. On the contrary, it is the realism of our time.”

Adolph Gottlieb (1903–1974) American artist

The Ideas of Art, Tiger's Eye, Vol. 1, nr 2, December 1947, p. 43.
1940s

Antoni Tàpies photo

“I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 25.

Gino Severini photo

“this complex form of realism.... totally destroys the integrity of the subject-matter... The abstract colors and forms that we portray belong to Universe outside time and space.”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynanism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

Hans Morgenthau photo

“Realism maintains that universal moral principles cannot be applied to the actions of states in their abstract universal formulation, but that they must be filtered through the concrete circumstances of time and place.”

Hans Morgenthau book Politics Among Nations

Six Principles of Political Realism, § 4.
Politics Among Nations (1948)
Context: Realism maintains that universal moral principles cannot be applied to the actions of states in their abstract universal formulation, but that they must be filtered through the concrete circumstances of time and place. The individual may say for himself: "Fiat justitia, pereat mundus (Let justice be done, even if the world perish)," but the state has no right to say so in the name of those who are in its care. Both individual and state must judge political action by universal moral principles, such as that of liberty. Yet while the individual has a moral right to sacrifice himself in defense of such a moral principle, the state has no right to let its moral disapprobation of the infringement of liberty get in the way of successful political action, itself inspired by the moral principle of national survival.

Constantin Brâncuși photo

“There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things.”

Constantin Brâncuși (1876–1957) French-Romanian artist

Original in French:
Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des choses.
Caiete Silvane magazine, 2008-11-01, Sculptura pe Internet http://www.caietesilvane.ro/indexcs.php?cmd=articol&idart=232,

“Before 1940 there was relatively little abstract art in America. Most of it was relatively geometric versions of Cubism, or of Mondrian and De Stijl, or of Arp reliefs, and the like. So that when our painting [of the artists of the New York School: Abstract Expressionism first appeared, the critics at once realized that to describe it as 'abstract' would be misleading... In America, the word (I suppose taken from Germany) for something highly emotional is 'expressionist', and some critic, either in the New Yorker or the New York Times then called it Abstract Expressionism, meaning that this was a very emotional art, but an abstract one.”

Robert Motherwell (1915–1991) American artist

first published in 'Metro', 1962; as cited in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 80
1960s, Interview with David Sylvester', (1960)

“What can be called "consciousness of the process of abstraction." That is, consciousness of the fact that out of a virtually infinite universe of possible things to pay attention to, we abstract only certain portions, and those portions turn out to be the ones for which we have verbal labels and categories. What we abstract, i. e., "see," and how we abstract it, or see it, or see it or think about it, is for all practical purposes inseparable from how we talk about it.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)

Ferdinand Foch photo

“In a time such as ours when people believe they can do without an ideal, cast away what they call abstract ideas, live on realism, rationalism, positivism, reduce everything to knowledge or to the use of more or less ingenious and casual devices — let us acknowledge it here — in such a time there is only one means of avoiding error, crime, disaster, of determining the conduct to be followed on a given occasion — but a safe means it is, and a fruitful one; this is the exclusive devotion to two abstract notions in the field of ethics: duty and discipline; such a devotion, if it is to lead to happy results, further implies besides… knowledge and reasoning.”

Ferdinand Foch (1851–1929) French soldier and military theorist

Variant translation: In our time, which thinks it can do without ideals, that it can reject what it calls abstractions, and nourish itself on realism, rationalism and positivism; which thinks it can reduce all questions to matters of science or to the employing of more or less ingenious expedients; at such a time, I say, there is but one resource if you are to avoid disaster, and only one which will make you certain of what course to hold upon a given day. It is the worship — to the exclusion of all others — of two Ideas in the field of morals: duty and discipline. And that worship further needs, if it is to bear fruit and produce results, knowledge and reason.
As quoted in "A Sketch of the Military Career of Marshal Foch" by Major A. Grasset
Source: Precepts and Judgments (1919), p. 150

“All investigations of Time, however sophisticated or abstract, have at their true base the human fear of mortality.”

Thomas Pynchon book Against the Day

Source: Against the Day (2006), p. 622

“Greek thought was essentially non-algebraic, because it was so concrete. The abstract operations of algebra, which deal with objects that have been purposely stripped of their physical content, could not occur to minds which were so intently interested in the objects themselves. The symbol is not a mere formality; it is the very essence of algebra. Without the symbol the object is a human perception and reflects all the phases under which the human senses grasp it; replaced by a symbol the object becomes a complete abstraction, a mere operand subject to certain indicated operations.”

Tobias Dantzig (1884–1956) American mathematician

p, 125
Number: The Language of Science (1930)

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