“…there is a striking similarity in the surrealist and abstract painters attitude to the object; both have a horror of it in its proper context.”

— John Piper (artist)

Lost, A valuable object, in Myfanwy Piper's anthology-"The Painters Object" 1937

Adopted from Wikiquote. Last update March 10, 2022. History

Help us to complete the source, original and additional information

Do you have more details about the quote "…there is a striking similarity in the surrealist and abstract painters attitude to the object; both have a horror of i…" by John Piper (artist)?

John Piper (artist) 2

English painter and printmaker (1903-1992) 1903–1992

Related quotes

“In recent times, Surrealist painters have used descriptive illusionistic academic methods.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

In a letter to Polish poet Jan Brzekowski, ca. 1930, co-publisher of the Franco-Polish magazine 'L'art contemporain'; from Jours effeuillés: Poèmes, essaies, souvenirs, Hans Arp, Gallimard, Paris 1966, p. 63
Arp's critical quote refers to the creation of art by the French Surrealists in which Jean Arp participated for a few years and then departed.
1930s

“One of the most considerable achievements of Surrealism was its discovery that many writers and painters of the past had been Surrealists without knowing it.”

Henri Peyre (1901–1988) American linguist

As quoted in Cohn Existentialism (1948), p. 36

“As far as I know, Nehru never defined secularism in its proper European and historical context.”

Girilal Jain (1924–1993) Indian journalist

Girilal Jain, "This is Hindu India", in : Elst, Koenraad: Ayodhya and after, Appendix I

“If reason (I mean abstract reason, derived from inquiries a priori) be not alike mute with regard to all questions concerning cause and effect, this sentence at least it will venture to pronounce, That a mental world, or universe of ideas, requires a cause as much, as does a material world, or universe of objects; and, if similar in its arrangement, must require a similar cause. For what is there in this subject, which should occasion a different conclusion or inference? In an abstract view, they are entirely alike; and no difficulty attends the one supposition, which is not common to both of them.”

David Hume book Dialogues Concerning Natural Religion

Philo to Cleanthes, Part IV
Dialogues Concerning Natural Religion (1779)

“The intellectual abstraction of the second period of Cubism was of great importance, however. By its aspirations to the eternal and its 'concept of proportion inspired by the Classics' it revived the sense of craftsmanship concept in many painters. And this perfectly coincided with another of my ambitions – which was to make, with paint, an object having the same perfection of craftsmanship that a cabinet-maker would put into a piece of furniture.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248

“I did exhibitions with the Surrealists [in Paris, c. 1929] because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada's.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 406

“In my opinion the aim of the painter is similar with that of the poet, insofar that both want to affect the feelings of the viewer or reader. As soon as their scenes.... are lacking the mark of nature, of truth, than both will fail to realize it. The Dutch painter feels - as well as the Germans do - the influence of sublime nature, but the Dutch painter first wants to be acquainted with 'plain truth', to combine it afterwards with the poetic..”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Het doel van den schilder is, naar mijn wijze van zien, in zoverre met dat des dichters gelijk, dat beiden op het gevoel van den beschouwer of den lezer willen werken. Dit kunnen zij onmogelijk doen, zodra hunne taferelen.. ..den stempel der natuur, de waarheid missen.. .De Nederlandschee schilder gevoelt even goed als de Duitsche den invloed der verhevenen natuur, maar de Nederlander wil eerst met het 'eenvoudige ware' bekend zijn, om hetzelve later met dichterlijke te vereenigen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 29-30

“Those who desire to envision history not as a mythologem but rather in its essential context are forced to a central conclusion: If history, in all its darkness and its horrors, but also in its confusing novelty, is to have meaning for coming generations, this meaning must be the liberation from collectivist thinking.”

Ernst Nolte (1923–2016) German historian and philosopher

Frankfurter Allgemeine Zeitung article entitled “Die Vergangenheit, die nicht vergehen will” (“The past that will not pass: A speech that could be written but not delivered”), (June 6, 1986), Reprinted in Forever in the Shadow of Hitler? Translated by James Knowlton and Truett Cates, New Jersey: Humanities Press, (1993), pp. 22.

“I've always been spiritual but I've never had a proper context, and it took me a while to find the proper context. It's hard to realize you can have any kind of relationship with God you want… and so I now have a punk rock relationship with God”

Billy Corgan (1967) American musician, songwriter, producer, and author

“It looked like lively abstract art. Symbols in search of context.”

Jeff VanderMeer book Finch

Source: Finch (2009), p. 74

“…there is a striking similarity in the surrealist and abstract painters attitude to the object; both have a horror of it in its proper context.”

Help us to complete the source, original and additional information

John Piper (artist) 2

Related quotes

Related topics