Peter Greenaway quote: “Cinema: An illusion that can only satisfactorily happen in the dark.”

“The image that later became famous of the Dance of Death beneath the dark cloud was improvised in only a few minutes. That's how things can happen on the set.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Images : My Life in Films (1990)
Context: The final scene when Death dances off with the travelers was…shot at Hovs hallar. We had packed up for the day because of an approaching storm. Suddenly, I caught sight of a strange cloud. Gunnar Fischer hastily set the camera back into place. Several of the actors had already returned to where we were staying, so a few grips and a couple of tourists danced in their place, having no idea what it was all about. The image that later became famous of the Dance of Death beneath the dark cloud was improvised in only a few minutes. That's how things can happen on the set.

“Granting that an illusion may have its uses, it can only be of service so long as we do not know it to be an illusion.”

Chapman Cohen (1868–1954) British atheist and secularist writer and lecturer

p. 96 https://babel.hathitrust.org/cgi/pt?id=wu.89009314162&view=1up&seq=100
Determinism or Free-will? (1912)

“Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to him from one moment to the next, or how one will bear it. This is irreducible. And it's true of everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.”

James Baldwin (1924–1987) (1924-1987) writer from the United States

"An interview with James Baldwin" (1961), in Conversations with James Baldwin, p. 21

“Progress is not an illusion; it happens, but it is slow and invariably disappointing.”

George Orwell (1903–1950) English author and journalist

“To be only spectacular should be 5 or 10 percent of cinema.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

ibid.
Cited in: David Brancaleone, The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art https://www.closeupfilmcentre.com/vertigo_magazine/issue-30-spring-2012-godard-is/the-interventions-of-jean-luc-godard-and-chris-marker/, 2012, closeupfilmcentre.com

“There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Minnesota declaration (1999)

“Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

'Where Do We Go From Here?" as published in Where Do We Go from Here : Chaos or Community? (1967), p. 62; many statements in this book, or slight variants of them, were also part of his address Where Do We Go From Here?" which has a section below. A common variant appearing at least as early as 1968 has "Returning violence for violence multiplies violence..." An early version of the speech as published in A Martin Luther King Treasury (1964), p. 173, has : "Returning hate for hate multiplies hate..."
1960s
Source: A Testament of Hope: The Essential Writings and Speeches
Context: The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you may murder the hater, but you do not murder hate. In fact, violence merely increases hate. So it goes. … Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.

“This wouldn't happen with my children. They've known, they've mingled with black people all their lives. This certainly is not going to occur. And so it goes on in this incremental way. … I think this is the only way it can be achieved. The trouble with proclaiming yourself to be cleansed of atavism is that it's not the case. It's an illusion. It's an illusion that can only be maintained by ideology and executive policing. It is forced consciousness. It's a lie to say, I have no racial feelings. Honesty and slow progress is a better policy, I think.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: I think enlightenment is incremental, and I see it in my children. I was six-years-old when I met a black person. My father tutored me and said, "We're going to meet two men who have black skin." And on the bus in Swansea on the way there, I accepted this and thought this would be no trouble for me. As it was, I went into the room and burst into tears and pointed at the man and said, "You've got a black face."
This wouldn't happen with my children. They've known, they've mingled with black people all their lives. This certainly is not going to occur. And so it goes on in this incremental way. … I think this is the only way it can be achieved. The trouble with proclaiming yourself to be cleansed of atavism is that it's not the case. It's an illusion. It's an illusion that can only be maintained by ideology and executive policing. It is forced consciousness. It's a lie to say, I have no racial feelings. Honesty and slow progress is a better policy, I think.

“Attachment is the great fabricator of illusions; reality can be obtained only by someone who is detached.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

“The interesting thing is what happens in the specific picture: its precision in terms of the sensations it produces — the illusion it creates and the effect of this illusion on the psychology opposed to it.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)
Context: The interesting thing is what happens in the specific picture: its precision in terms of the sensations it produces — the illusion it creates and the effect of this illusion on the psychology opposed to it. General philosophical and technical information however interesting in itself is secondary to this reality.

“Cinema: An illusion that can only satisfactorily happen in the dark.”

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Peter Greenaway 266

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