“Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing is the experience; so that we are not quite clear why we are engaged on a particular work. And because we are more interested in plastic matters than we are in matters of words, once can begin a painting and carry it through and stop it and do nothing about the title at all. All pictures are full of association.”

— William Baziotes

Source: 1950s, Artists' Session at Studio 35, (1950), p. 217

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William Baziotes 22

American painter 1912–1963

William Baziotes (1912–1963) American painter

Source: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 147

“… as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

“I was surprised by photography, which we all use so massively every day. Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting, but use painting as a means to photography.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

“A painting is not a picture of an experience; it is an experience.”

Mark Rothko (1903–1970) American painter

As quoted in 'Mark Rothko', Dorothy Seiberling in LIFE magazine (16 November 1959), p. 82
1950's

“There is imagery. Symbolism is a difficult idea. I'm not a symbolist. In other words, these are painting experiences. I don't decide in advance that am going to paint a definite experience, but in the act of painting, it becomes a genuine experience for me. It's not symbolism any more than it's calligraphy. I'm not painting bridge constructions, skyscrapers or laundry tickets.... I don't paint a given object – a figure or a table; I paint an organization that becomes a painting.... it's not these things that get me started on a painting.”

Franz Kline (1910–1962) American painter

1958
1960's, Talks with Seventeen Artists, 1962

“I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new. I didn't want to get into something which is played out and narrow. I want to do as I like, invent my own interests. Of course, that doesn't mean that people who, like Newman, still paint are worn out. But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment. I think what I'm trying to deal with is something more long range than that in a way, more obscure perhaps, more involved with things that happen over a longer time perhaps. At least it's another area of experience.”

Donald Judd (1928–1994) artist

Quoted in: Donald Jud http://www.theartstory.org/artist-judd-donald.htm at theartstory.org, 2014
1960s, "Oral history interview with Donald Judd," 1965

“In my experience, milady, we can never get back to exactly where we started, no matter how hard we try.”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, Cetaganda (1996)

“If nothing we do matters, then all that matters is what we do.”

Joss Whedon (1964) American director, writer, and producer for television and film

Tim Minear, in Epiphany", episode 16 of season 2 of Angel; also mentioned in the DVD commentary for the Firefly episode, "Objects in Space".
Misattributed

“The resurrection. I want to speak about it as we would about any ordinary transaction. In the first place, I do not believe that any miracle was ever performed, and if there was, you cannot prove it. Why? Because it is altogether more reasonable to believe that the people were mistaken about it than that it happened. And why? Because, according to human experience, we know that people will not always tell the truth, and we never saw a miracle ourselves, and we must be governed by our experience; and if we go by our experience, we must say that the miracle never happened—that the witnesses were mistaken.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Orthodoxy (1884)

“No matter how much experience we may gather in life, we can never in life get the dimension of experience that the imagination gives us. Only the arts and sciences can do that, and of these, only literature gives us the whole sweep and range of human imagination as it sees itself.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 4: The Keys To Dreamland

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