
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Ik pakte mijn rommeltje en ging op een goeden dag naar [c. 1834-36]. Daar zag ik ergens een man uit het venster liggen. Boer! zijn hier in de buurt ook kamers te huur? - Jawel meneer, hier zelfs. - Ik ging naar binnen, zag een mooie, geschikte schilderkamer; dat was mij genoeg, ik vraag naar niets meer. Honderdvijftig gulden was de huur [per jaar]. Ik bood honderdzestig als hij dan ook den tuin bewerkte en vooral veel roode kool plantte, want die zie ik graag.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
“When I was kidnapped, my parents snapped into action. They rented out my room.”
Standup Comic (1999)
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) ..ik heb een kamer gehuurd in Scheveningen om er studies naar de natuur te maken. Het is een kamer met uitzicht op zee; ik hoop er mooie dingen te maken, en steeds vooruit te gaan.
In a letter to his Belgium friend A. Verwee, 28 Mai 1871; as cited in Hendrik Willem Mesdag 1831 – 1915; De Schilder van de Noordzee, Johan Poort; Mesdag Documentaire Stichting cop, ISBN 90-74192-14-9; 2001, p. 17
before 1880
Diane L. Wilcox, Classic Tales of Mulla Nasreddin, Retold by Houman Farzad (1989), , p. 26
version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Moet dat nu mooi heeten? - neen, de menschen zijn gek, of ik! - Wat leerde ik nu te Oosterbeek die Natuur gansch anders aankijken! In 't begin kon ik niets goeds maken; ik zag al gauw, dat ik weer van voren af aan moest beginnen.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)
(on why he left America to travel the world) ALARM Magazine (July 7, 2008).
Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52
American Acheivement interview (1996)
Source: The Joy Luck Club
Context: Reading for me was a refuge. I could escape from everything that was miserable in my life and I could be anyone I wanted to be in a story, through a character. It was almost sinful how much I liked it. That's how I felt about it. If my parents knew how much I loved it, I thought they would take it away from me. I think I was also blessed with a very wild imagination because I can remember, when I was at an age before I could read, that I could imagine things that weren't real and whatever my imagination saw is what I actually saw. Some people would say that was psychosis but I prefer to say it was the beginning of a writer's imagination. If I believed that insects had eyes and mouths and noses and could talk, that's what they did. If I thought I could see devils dancing out of the ground, that's what I saw. If I thought lightning had eyes and would follow me and strike me down, that's what would happen. And I think I needed an outlet for all that imagination, so I found it in books.
Quote of Diaz, late 1860's, recorded by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choiche of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 45-46
Albert Wolff, the interviewer, owned this little panel, painted by a young Diaz. It was fifteen centimeters big, and presented a baby lying in a cradle with the mother, guarding it. Wolff returned it to the old Diaz
Quotes of Diaz