François Quesnay in letter to Mirabeau (Archives Nationales, Ms. 779, 4 bis, p.2 note); as cited in: Richard Van Den Berg and Albert Steenge. "Tableaux and Systèmes. Early French Contributions to Linear Production Models." Cahiers d'économie Politique/Papers in Political Economy 2 (2016): 11-30.
“Between the one who counts the facts, grouped according to their resemblance, in order to know what to believe regarding the value of therapeutic agents and him who does not count but always says "more or less frequent," there is the difference between truth and error, between something that is clear and truly scientific and something that is vague and without value—for what place is there in Science for that which is vague?”
Recherches sur les effets de la saignée dans quelques maladies inflammatoires, et sur l'action de l'émétique et des vésicatoires dans la pneumonie (1835) as quoted by William Coleman, Death is a Social Disease: Public Health and Political Economy in Early Industrial France (1982)
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Pierre Charles Alexandre Louis 6
French physician 1787–1872Related quotes
As quoted by E.S. Pearson, Karl Pearson: An Appreciation of Some Aspects of his Life and Work (1938) and cited in Bernard J. Norton, "Karl Pearson and Statistics: The Social Origins of Scientific Innovation" in Social Studies of Science, Vol. 8, No. 1, Theme Issue: Sociology of Mathematics (Feb.,1978), pp. 3-34.
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 110
“It seemed there was always a close correlation between true believers and high body counts.”
Source: Angels & Demons
Lucian Freud: Paintings (1987), p. 20
Lucian Freud : Paintings (1987)
Encountering Directors interview (1969)
Context: When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film. I never think ahead of the shot I'm going to make the following day because if I did, I'd only produce a bad imitation of the original image in my mind. So what you see on the screen doesn't represent my exact meaning, but only my possibilities of expression, with all the limitations implied in that phrase. Perhaps the scene reveals my incapacity to do better; perhaps I felt subconsciously ironic toward it. But it is on film; the rest is up to you.
Source: Debunking Economics - The Naked Emperor Of The Social Sciences (2001), Chapter 9, The Sum Of The Parts, p. 193
Quote of Ad Reinhardt in: Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 107
after 1967 - posthumous