
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 26
Source: SCUM MANIFESTO (1967), p. 12.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 26
The Stereotype
The Female Eunuch (1970)
Context: The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she has herself no sex at all. her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she is the reward of achievement. She need never give positive evidence of her moral character because virtue is assumed from her loveliness, and her passivity.
Source: "Culture is not Neutral, Whom Does it Serve?" (1972), p. 15
"A Personal Letter, With a Request for a Reply", January 1937
Source: SCUM MANIFESTO (1967), p. 12 (hyphens (not en- or em-dashes) so in original; line break across "highly-"/"sexed").
Source: Feminism, Marxism, Method, and the State: An Agenda for Theory (1982) Signs Vol. 7, No.3, p. 533
Un Art de Vivre (The Art of Living) (1939), The Art of Marriage
Body Politic, June 1983, reported in Ann Silversides, AIDS activist: Michael Lynch and the Politics of Community (2003), p. 32.
respect, not contempt.
Source: SCUM MANIFESTO (1967), p. 10 ("respect, not contempt." (not bracketed in original) not certain in original due to truncation of bottom of photocopy page but consistent with it).