“Have you ever been at sea in a dense fog, when it seemed as if a tangible white darkness shut you in, and the great ship, tense and anxious, groped her way toward the shore with plummet and sounding-line, and you waited with beating heart for something to happen? I was like that ship before my education began, only I was without compass or sounding-line, and had no way of knowing how near the harbour was. "Light! give me light!"”

— Helen Keller , book The Story of My Life

was the wordless cry of my soul, and the light of love shone on me in that very hour.
Source: The Story of My Life (1903), Ch. 4

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Helen Keller 156

American author and political activist 1880–1968

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“I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet, keen smell,
The sighing sound, the lights around the shore.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).

“How could I help if tears were starting?
Goodbye to tender nights beside the silv'ry sea.
I longed to hold you near and kiss you just once more,
But you were on the ship and I was on the shore.”

Jimmy Kennedy (1902–1984) Irish songwriter

Song Harbour Lights
Song lyrics

“Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line.
Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body — I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.
It should have been dark, for it was night, but it was not dark. Everywhere there were lights — lines of light — circles and blurs of light — ten thousand torches would not have been the same. The sky itself was alight — you could barely see the stars for the glow in the sky. I thought to myself "This is strong magic" and trembled. There was a roaring in my ears like the rushing of rivers. Then my eyes grew used to the light and my ears to the sound. I knew that I was seeing the city as it had been when the gods were alive.”

Stephen Vincent Benét book By the Waters of Babylon

Source: By the Waters of Babylon (1937)

“I’ve had a tense couple of days. And I’ve got to tell you, burning someone’s face off sounds like a great way to relax.”

Jim Butcher Small Favor

Source: Small Favor

“And I says back to him, “Calvin, sounding like an educated man don’t make you educated,” and he says back to me, “I'd rather be ignorant and sound educated than be educated and sound ignorant,” and I said, “Why?” and he says to me, “Because if you sound educated then nobody ever tests you to find out, but if you sound ignorant they never stop.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Alvin Journeyman (1995), Chapter 1.

“You are part of my existence, part of myself. You have been in every line I have ever read since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since, — on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made are not more real, or more impossible to be displaced by your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation, I associate you only with the good; and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!”

Charles Dickens book Great Expectations

Source: Great Expectations (1860-1861), Ch. 44

“Like I say, the way I write songs is, you know, inspirational. I have to wait for it to happen. And when it happens I get lines, and I just write them down, you know. I'm not sort of a Tin Pan Alley sort of songwriter. I just sort of write down what I get - without censoring or questioning what it is and what it means, you know. Like later on I look at what it means, but not at the time.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

"Nights in Copenhagen with Van Morrison" (1985) interview by Al Jones

“Sometimes I think evil is a tangible thing - with wave lengths, just as sound and light have.”

Richard Connell book The Most Dangerous Game

Source: The Most Dangerous Game

“Well, you know, I think the American people are sacrificing now. I think they're waiting in airport lines longer than they've ever had before.”

George W. Bush (1946) 43rd President of the United States

Press conference http://georgewbush-whitehouse.archives.gov/news/releases/2001/10/20011011-7.html, in response to reporter asking why he hasn't called for any sacrifices from the American people (in the war on terror), and whether he intends to do so. (October 11, 2001)
2000s, 2001

“Do you know what I was smiling at? You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

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Helen Keller 156

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