Quote of Kandinsky, in the introduction of an exhibition-catalog 'Neue Künstlervereinigung', 1913, Munich; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 119-120
1910 - 1915
“Nor, on the other hand, are there any masculine charms [in Gabriele Münter's work] either: no 'sinewy brushwork', no heaps of paint, 'hurled on to the canvas'. The pictures are painted throughout with a delicately and correctly sensed measure of external strength, with not a trace of feminine or masculine coquetry in the 'making'. We could almost say that they are painted modestly; i. e. that they were inspired, not by a desire for outward display, but by a purely inward compulsion.”
Quote of Kandinsky, 1913; in the introduction of an exhibition-catalog 'Neue Künstlervereinigung', Munich; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 120
1910 - 1915
Help us to complete the source, original and additional information
Wassily Kandinsky 68
Russian painter 1866–1944Related quotes
“A painter paints his pictures on canvas. But musicians paint their pictures on silence.”
Addressing an audience at Carnegie Hall, as quoted in The New York Times (11 May 1967); often this is quoted without the humorous final sentence.
Context: A painter paints his pictures on canvas. But musicians paint their pictures on silence. We provide the music, and you provide the silence.
quote about the role of light
1960s, Interview with Barbara Rose', Archives - American Art, 1968
Richter's aunt had been murdered by the Nazis in the name of euthanasia, a crime for which his father-in-law from his first marriage, a Nazi doctor named Heinrich Eufinger, had been partially responsible. Richter painted a portrait of his aunt in 1965, based on an old photo. It was called 'Tante Marianne' / 9Aunt Marianne).
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)
p, 125
Cosmic Imagery: Key Images in the History of Science (2008)
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 122
“The world doesn't make sense, so why should I paint pictures that do?”
Source: after 2000, Doubt and belief in painting' (2003), p. 43, note 36 : quote on his start with photography