
Richard Long, British Council (1994). Richard Long: São Paulo Bienal 1994.
1990s
Richard Long in: Ben Tufnell (ed.), Richard Long: Selected Statements & Interviews, London 2007, p. 39; Cited in: " Richard Long: A Line Made by Walking 1967 http://www.tate.org.uk/art/artworks/long-a-line-made-by-walking-ar00142/text-summary," at Tate.org
2000s
Richard Long, British Council (1994). Richard Long: São Paulo Bienal 1994.
1990s
Quote from 'Artists' Session at Studio 35', (1950); as cited in Abstract Expressionism Creators and Critics (1990), ed. Clifford Ross, p. 225 <!-- Abrams Publishers New York -->
1950s
Richard Long & Kenneth Martin (1980) in: D. Ashton (1985), Twentieth-Century Artists on Art, p. 151
1980s
Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s
Quoted in "Time" is right for songwriter Ward" by Jill Menze at Reuters (9 January 2009) http://www.reuters.com/article/musicNews/idUSTRE5090MC20090110
Context: I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas... Whoever chooses to latch onto it, great; whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
Thomas J. Sargent, in Conversations with Economists (1983) by Arjo Klamer
Kenneth Noland, p. 9
Conversation with Karen Wilkin' (1986-1988)
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
“My concern is with the rhythms of nature... I work inside out, like nature.”
Quoted in Leonhard Emmerling (2003) Jackson Pollock: 1912-1956 Taschen, p. 48
in posthumous publications