
Götz Adriani, Joseph Beuys, Winfried Konnertz (1979) Joseph Beuys, life and works. p. 255
1970's
5 November 1958
My Day (1935–1962)
Götz Adriani, Joseph Beuys, Winfried Konnertz (1979) Joseph Beuys, life and works. p. 255
1970's
In 1934 on her new art form
Sikh Heritage,Amrita Shergil
Joseph Kosuth in: Arthur R. Rose, “Four Interviews,” Arts Magazine (February, 1969).
'Is Photography a Failure?', Alfred Stieglitz, 'Sun: 5.', March 14, 1922; as quoted on Wikipedia
“To appreciate sculpture is to look, to touch, to sense, to learn and communicate.”
citation needed
Attributed
“The appreciation of the connoisseur is the highest pleasure of the artiste.”
Source: The Void Captain's Tale (1983), Chapter 9 (p. 104)
Speech to the Western Society of Engineers (18 September 1901); published in the Journal of the Western Society of Engineers (December 1901); republished with revisions by the author for the Annual Report of the Board of Regents of the Smithsonian Institution (1902) http://invention.psychology.msstate.edu/i/Wrights/library/Aeronautical.html
Context: The person who merely watches the flight of a bird gathers the impression that the bird has nothing to think of but the flapping of its wings. As a matter of fact this is a very small part of its mental labor. To even mention all the things the bird must constantly keep in mind in order to fly securely through the air would take a considerable part of the evening. If I take this piece of paper, and after placing it parallel with the ground, quickly let it fall, it will not settle steadily down as a staid, sensible piece of paper ought to do, but it insists on contravening every recognized rule of decorum, turning over and darting hither and thither in the most erratic manner, much after the style of an untrained horse. Yet this is the style of steed that men must learn to manage before flying can become an everyday sport. The bird has learned this art of equilibrium, and learned it so thoroughly that its skill is not apparent to our sight. We only learn to appreciate it when we try to imitate it.
In 1915, w:Otto van Rees, A.C. van Rees, Freundlich, S. Taeuber [his wife] and Arp made an attempt of this sort, as Arp mentioned himself.
Source: 1940s, Abstract Art, Concrete Art (c. 1942), p. 118
Great Books: The Foundation of a Liberal Education (1954)