“I am a Black revolutionary, and, by definition, that makes me a part of the Black Liberation Army. The pigs have used their newspapers and TVs to paint the Black Liberation Army as vicious, brutal, mad-dog criminals. They have called us gangsters and gun molls and have compared us to such characters as john dillinger and ma barker. It should be clear, it must be clear to anyone who can think, see, or hear, that we are the victims. The victims and not the criminals.”

To My People (July 4, 1973)

To My People (July 4, 1973)

Source: The Myth of Male Power (1993), Part II: The Glass Cellars of the disposable sex, p. 215.

To My People (July 4, 1973)

1992, quoted in [1978-1996: Texas Representative Ron Paul’s Newsletters Contain a Host of Bigoted Claims and Observations, History Commons, http://www.historycommons.org/context.jsp?item=a7896paulnewsletter#a7896paulnewsletter]
Disputed, Newsletters, Ron Paul Political Report

Source: Island (1962)

To Leon Goldensohn (12 June 1946). Quoted in "The Nuremberg Interviews", Leon Goldensohn, Robert Gellatel (2004).

On embodying every one of her characters in “Pulitzer Prize Winner Suzan-Lori Parks Questions ‘Woke-ness’ With Her Latest Off-Broadway Play” http://www.playbill.com/article/pulitzer-prize-winner-suzan-lori-parks-questions-woke-ness-with-her-latest-off-broadway-play in Playbill (2019 Mar 1)

Speech at the Audubon Ballroom in Harlem (13 December 1964), later published in Malcolm X Speaks: Selected Speeches and Statements (1965), edited by George Breitman, p. 93
Context: The press is so powerful in its image-making role, it can make the criminal look like he's a the victim and make the victim look like he's the criminal. This is the press, an irresponsible press. It will make the criminal look like he's the victim and make the victim look like he's the criminal. If you aren't careful, the newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing.
If you aren't careful, because I've seen some of you caught in that bag, you run away hating yourself and loving the man — while you're catching hell from the man. You let the man maneuver you into thinking that it's wrong to fight him when he's fighting you. He's fighting you in the morning, fighting you in the noon, fighting you at night and fighting you all in between, and you still think it's wrong to fight him back. Why? The press. The newspapers make you look wrong.