“This year will go down in history! For the first time, a civilized nation has full gun registration! Our streets will be safer, our police more efficient, and the world will follow our lead into the future!”

1963, Speech at Amherst College
Context: The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fibre of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.

From the 2002 song "First of the gang to die"
From songs

John F. Kennedy, address at the dedication of the Robert Frost Library, Amherst College, Amherst, Massachusetts (1963-10-26).
Misattributed

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

I want criminals to be terrified, says Priti Patel: New Home Secretary vows to return to zero-tolerance policing as she demands full explanation over bungled 'Nick' sex abuse inquiry https://www.dailymail.co.uk/news/article-7316055/I-want-criminals-terrified-says-Priti-Patel-Home-Secretary-restore-confidence-Britain.html (2 August 2019)
2019

Speech (1860)

Tragedy and the Common Man (1949)
Context: The possibility of victory must be there in tragedy. Where pathos rules, where pathos is finally derived, a character has fought a battle he could not possibly have won. The pathetic is achieved when the protagonist is, by virtue of his witlessness, his insensitivity, or the very air he gives off, incapable of grappling with a much superior force.
Pathos truly is the mode for the pessimist. But tragedy requires a nicer balance between what is possible and what is impossible. And it is curious, although edifying, that the plays we revere, century after century, are the tragedies. In them, and in them alone, lies the belief — optimistic, if you will, in the perfectibility of man.
It is time, I think, that we who are without kings, took up this bright thread of our history and followed it to the only place it can possibly lead in our time — the heart and spirit of the average man.

1990s, A Period of Consequences (September 1999)

Source: The Myth of Male Power (1993), Part 1: The Myth of Male Power, p. 65.