“poetry and every other art was and is and forever will be strictly and distinctly a question of individuality…. poetry is being, not doing…. if poetry is your goal, you've got to forget all about punishments and all about rewards and all about selfstyled obligations and duties and responsibilities...”
"i & their son: Nonlecture Two"
i : six nonlectures (1953)
Help us to complete the source, original and additional information
E.E. Cummings 208
American poet 1894–1962Related quotes
Draft for a preface http://www.oucs.ox.ac.uk/ltg/projects/jtap/tutorials/intro/owen/preface.html to a collection of war poems he hoped to publish in 1919 (c. May 1918) and used in Poems of Wifred Owen (Memoir and notes).ed Edmund Blunden (1933).Chatto & Windus 1964.ASIN: B000GLY9CI
“We talk so abstractly about poetry because all of us are usually bad poets.”
“Our tragic age demands poetry of courage and not whimpers about the inevitable end of all maya.”
Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,
“The Obscurity of the Poet”, p. 3
Poetry and the Age (1953)
Context: When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i. e., that he is difficult, i. e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.
“Of all the arts poetry is the most intimate and personal.”
On poetry
“When a devil, but also a saint, laughs about your poetry, you laugh about his ignorance!”
Donna Giovanna, Act IV, scene iii.
Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.