“Being Henry Fonda's daughter got me started. But it didn't keep me working.”

“No I didn't ban the press. The press banned me. In later years in the blossom of my career, some editors got across to me and said they wanted me in their mags because the readers wanted me. But I refused because it wasn't me who started the war.”

“His little hand is on my heart.
He's got me where it hurts me.
Knock, knock. Who's there in this baby?
You know how to work me.
All my barriers are going.
It's starting to show.”

“Thinking of you keeps me awake. Dreaming of you keeps me asleep. Being with you keeps me alive.”

“Though I studied with Robert Henri, I was never a member of the Ash-Can School. You see, it had a sociological trend which didn't interest me. [Hopper then proceeded to inform Kuh that his work contained no social content whatsoever! ]”

“Arakawa: After I gave birth, I felt even more of a connection to cows, because my breasts started making milk. My breasts got bigger and my nipples swelled up, and every time my daughter went to suckle them, it reminded me of how I used to squeeze the cows' udders on the farm to get the milk out. [chuckle] It was like my own daughter was milking me.”

“It was getting hard to keep all the things I didn't know inside me.”

“Working at Perfekt,
Got me down on my knees.
Success to failure,
Just a matter of degrees.
Working at Perfekt,
Got me down on my knees…”

“All of a sudden it didn't bother me not being modern.”

“Everyone I was working with was elder to me, so they didn't really like taking instructions from me”