“By way of news, I can tell you that Couture, that bad-tempered fellow, has completely given up painting. It's no great pity; in this exhibition, he had some really bad paintings.”
in a letter to Eugène Boudin, February 10, 1860: As cited in: Angelika Taschen (1999) Monet, p. 24
1850 - 1870
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Claude Monet 87
French impressionist painter 1840–1926Related quotes

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich war in Rotterdam, aber da war eine schreckliche Ausstellung. Le Fauconnier ist nichts mehr. Er hat jetzt eine schmutzige Farbe uns ist ein richtiger Akademiker. Mondrian ist ganz erstarrt, gar kein Poesie mehr. Es ist doch schrecklich, dass die Leute nicht weiter kommen mit grossen Idealen. Alma ist für meinen Geschmack viel zu viel Naturalist. Ein grösser Unterschied, die drei und [Franz] Marc, Kandinsky, Filla etc..
in a letter to Herwarth Walden, 9 Feb. 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 13
1910's

"Portions for Foxes"
Song lyrics, More Adventurous (2004)

“He has no talent at all, that boy! You, who are his friend, tell him please to give up painting.”
spoken to Claude Monet about Pierre-Auguste Renoir (1874), as quoted by John Rewald, The History of Impressionism, Vol.1 (1961).
1850 - 1875

[Barbara Cole, Putting fun back into sex, Daily News, South Africa, 8 February 2008, 5, Independent Online]
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[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
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Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935

Quote of Bazille in a letter to his brother, December 1865; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 43
1861 - 1865

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder einige Maler gesprochen, aber die Modernen [in Nederland] schreiben mehr als sie malen. Wenn man so über Kunst schreibt und immer so mit einem festen Plan malen will, dan verliert man ganz und gar die tiefe, herrliche, spontane Kunst. Man muss so ganz tief heraus immer Neuses schaffen.
in a letter to Herwarth Walden, 23 July 1915; the 'Sturm'-Archive, Berlin
very probably Jacoba is refering here to the Dutch Stijl-artists, as Piet Mondrian and Theo v. Doesburg
1910's