
"Zhang Yimou by Lawrence Chua" in BOMB Magazine https://bombmagazine.org/articles/zhang-yimou/ (1 April 1991)
To Farhan Akhtar, after a private screening of the film, Lakshya, reported in Cine Blitz (2004).
"Zhang Yimou by Lawrence Chua" in BOMB Magazine https://bombmagazine.org/articles/zhang-yimou/ (1 April 1991)
ibid., p. 209
On Goldsmith's irritation at the lack of response from responsible critics
“Once again, he has silenced the doubters by simply delivering an extraordinary film.”
Review http://www.rogerebert.com/reviews/avatar-2009 of Avatar (11 December 2009)
Reviews, Four star reviews
Context: Watching Avatar, I felt sort of the same as when I saw Star Wars in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his Titanic was. Once again, he has silenced the doubters by simply delivering an extraordinary film. There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.
Source: Cronenberg on Cronenberg (1997), Ch. 4
『永遠の散歩』Q&A マティー・ドー | "The Long Walk[Bor Mi Vanh Chark https://www.youtube.com/watch?v=DfFCgPzBUag" Q&A Mattie Do (Director) - 7 Nov 2019, at 23 Min 27 Sec]
From Tokyo International Film Festival Q&A
"Introduction" of Four Screenplays (1960). <!-- Simon & Schuster -->
Context: When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically.