“Rilke used to say that no poet would mind going to gaol, since he would at least have time to explore the treasure house of his memory. In many respects Rilke was a prick.”

—  Clive James

From the preface, p. 9
Memoirs, Unreliable Memoirs (1980)

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Clive James photo
Clive James 151
Australian author, critic, broadcaster, poet, translator an… 1939–2019

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“Unreliable Memoirs was just too hard to classify: most of the first wave of American reviewers had convicted it of trying to be truthful and fanciful at the same time. Since I had clearly had no other aim in mind, I read these indictments with sad bewilderment. The most powerful reviewer, in The New York Review of Books, had seized on my incidental remark 'Rilke was a prick' in order to instruct me that Rilke was, on the contrary, an important German poet.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Dick Cavett, p. 97
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Amir Taheri photo

“Before Khamenei, many failed poets who achieved political power tried to dictate to poets, among them the Qajar Nassereddin Shah and the Chinese despot Mao Zedong. They failed because poetry has a magic genius that defies attempts at definition let alone dictation. Poetry is like love, Rilke wrote to his imaginary young poet, everyone knows what it is but no one can agree on a definition. Khamenei, aged 77, no longer fits the image of Rilke’s young poet. Nevertheless, maybe for his next birthday someone could give him a copy of Rilke’s magical essay.”

Amir Taheri (1942) Iranian journalist

Two excellent Persian translations are available.
When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

George Steiner photo

“We know now that a man can read Goethe or Rilke in the evening, that he can
play Bach and Schubert, and go to his day's work at Auschwitz in the
morning.”

George Steiner (1929–2020) American writer

Preface.
Language and Silence: Essays 1958-1966 (1967)
Context: We come after. We know now that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning. To say that he has read them without understanding or that his ear is gross, is cant. In what way does this knowledge bear on literature and society, on the hope, grown almost axiomatic from the time of Plato to that of Matthew Arnold, that culture is a humanizing force, that the energies of spirit are transferable to those of conduct?

Alexander Blok photo

“Blok was probably the greatest Russian poet since Pushkin; although internationally less well known than Rilke and Valéry, he is of their stature and importance. He revolutionized Russian versification by making use of a purely accentual technique. He knew, as so few now know, that only the poetry of suffering – whether it is a poetry of joy or not – can be great. His own poetry, for which he burnt himself out, demonstrates this.”

Alexander Blok (1880–1921) poet

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 225.
Criticism

“The bombs I dropped on Germany between 1940 and 1944 maybe killed a Rilke or a Goethe or a Hölderin in his cradle. And yes, of course, if it had to be done over, I would do it again. Hitler had condemned us to kill. Not even the most just causes are ever innocent.”

Romain Gary (1914–1980) French writer and diplomat

As quoted in Hope and Memory: Lessons from the Twentieth Century (2003) by Tzvetan Todorov, p. 217

David Norris photo

“The Minister of State should stop saying "with respect". He and his Government have no respect at all for this House.”

David Norris (1944) Irish scholar, independent Senator, and gay and civil rights activist

At Brian Hayes on 4 July 2013 http://www.kildarestreet.com/sendebates/?id=2013-07-04a.180&s=speaker%3A210#g310

Marianne Williamson photo

“How could Leonardo da Vinci not have painted? How could Shakespeare not have written? In Letters to a Young Poet, Rilke tells a young writer to write only if he has to. We are to do what there is a deep psychological and emotional imperative for us to do. That’s our point of power, the source of our brilliance. Our power is not rationally or willfully called forth. It’s a divine dispensation, an act of grace.”

Marianne Williamson (1952) American writer

Source: A Return to Love: Reflections on the Principles of "A Course in Miracles" (1992), Ch. 7 : Work, §3 : Personal Power

Muhammad bin Tughluq photo

“So great was the faith of the Sultan in the Abbasid Khalifas," says he, "that he would have sent all his treasures in Delhi to Egypt, had it not been for the fear of robbers.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Ziyauddin Barani, quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5. Also quoted in Robert Spencer, The history of Jihad, 2018.

Plutarch photo

“In his house he had a large looking-glass, before which he would stand and go through his exercises.”

Plutarch (46–127) ancient Greek historian and philosopher

Life of Demosthenes
Bartlett's Familiar Quotations, 10th ed. (1919)

Paula Modersohn-Becker photo

“I became aware of something today when I was with Fräulein Weshoff [German woman-sculptor, who married later the poet Rilke ]. I should like to have her as a friend. She is grand and splendid to look at – and that's the way she is as a person and as an artist. Today we raced down the hill on our little sleds. It was such fun.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede 1897; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 194
1897

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