Quote from 'On the Possibilities of Painting,' lecture, Sorbonne (1924-05-15)
“The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural… Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.”
"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)
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Ben Nicholson 1
British painter 1894–1982Related quotes
in Henry Moore on Sculpture, James, Philip, New York: Viking Press, (1967), p. 68
1955 - 1970
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
“We are going to have perhaps a thousand years of non-representational painting.”
1950s, Conversations With Artists, 1957
Zachman (1986) as cited in: Peter Bernus, Kai Mertins, Günter Schmidt (2005) Handbook on Architectures of Information Systems. p. 544
(2004), p. v
How Maps Work: Representation, Visualization, and Design (1995)
Source: Research challenges in geovisualization (2001), p. 6-7
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
In a letter about his 'Equivalents' to w:Hart Crane; as quoted in Photography as High Art, Hilton Kramer, (1982-12-19)., in 'New York Times'. p. 1. Retrieved 2008-12-26; as quoted on Wikipedia.
Quote in an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
1860s