
"Fooling the People as a Fine Art", La Follette's Magazine (April 1918)
1790s, Farewell Address (1796)
"Fooling the People as a Fine Art", La Follette's Magazine (April 1918)
Advertisement, N.Y. Herald Tribune (August 19, 1946)
Source: Speech at a Republican Banquet, Chicago, Illinois, December 10, 1856 http://quod.lib.umich.edu/l/lincoln/lincoln2/1:413?rgn=div1;view=fulltext; see Roy P. Basler, ed., The Collected Works of Abraham Lincoln, vol. 2 (New Brunswick, N.J.: Rutgers University Press, 1953), p. 532
The Principles of Success in Literature (1865)
Context: Men who are never flagrantly dishonest are at times unveracious in small matters, colouring or suppressing facts with a conscious purpose; and writers who never stole an idea nor pretended to honours for which they had not striven, may be found lapsing into small insincerities, speaking a language which is not theirs, uttering opinions which they expect to gain applause rather than the opinions really believed by them. But if few men are perfectly and persistently sincere, Sincerity is nevertheless the only enduring strength.
The principle is universal, stretching from the highest purposes of Literature down to its smallest details. It underlies the labour of the philosopher, the investigator, the moralist, the poet, the novelist, the critic, the historian, and the compiler. It is visible in the publication of opinions, in the structure of sentences, and in the fidelity of citations.
First Inaugural Address (4 March 1829).
1820s
Trial of John Vint and others (1799), 27 How. St. Tr. 640.
“Whoever can change public opinion, can change the government”
Speech at a Republican Banquet, Chicago, Illinois, December 10, 1856 http://quod.lib.umich.edu/l/lincoln/lincoln2/1:413?rgn=div1;view=fulltext; see Roy P. Basler, ed., The Collected Works of Abraham Lincoln, vol. 2 (New Brunswick, N.J.: Rutgers University Press, 1953), p. 532
1850s
Context: Our government rests in public opinion. Whoever can change public opinion, can change the government, practically just so much.
The Critic as Artist (1891), Part II
Context: England has done one thing; it has invented and established Public Opinion, which is an attempt to organize the ignorance of the community, and to elevate it to the dignity of physical force.