“The point is there's a boring homogenisation of popular culture, so really the problem is there's nothing wrong, the machine works too smoothly. I think the pop music machine is much more fun when it's broken. Things are always more fun when they're broken. No one was ever consulted about this. There was never a Senate committee to say we must produce pop music every day since 1953 or whatever. It's time to lay down the gauntlet.”

“Roger: I also have been producing/recording more and more, and that takes time, too. But that's what i always wanted to do, work on music,, so it's not a bad thing.”

“I love Gloria Estefan, though -- she is cool. It's always just been about the music with her and they've been really good fun pop songs and really great ballads. And she's still going strong. She's quite classy and true to her Latin roots.”

“It is at work everywhere, functioning smoothly at times, at other times in firs and starts. It breathes, it heats, it eats. It shits and fucks. What a mistake to have ever said the id. Everywhere it is machines- real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy-source-machine: the one produces a flow that the other interrupts The breast is a machine that produces miilk, and the mouth a machine coupled to it.”

“(When asked about pop music) Pop music has become the largest farce in music history. It is soul-less, mechanical, and only made for the sole purpose of making the fastest dollar possible, with more emphasis on imagery than the music. I would much rather remain an independent recording artist who can dictate his own creativity and make it available to a smaller community of fans then sign with a major label under conditions of compromising my work just to sell lunch boxes and sound like every other thing out there. The only artists that have any longevity are the ones that pioneer a movement not follow a movement. The hundreds of following wannabes always get left in the dust or remain one-hit-wonders.”

“We’re from Germany but we grew up with English and American music which was such a strong inspiration for the young band. Very early on, in the Seventies, we went to England and France, to Japan and America, we toured and then became an international band. I think our music was never German, it’s always had this Anglo-American influence – we never tried to be a German band! We are Germans, yes, but not in our music. When we grew up, there was schlager music, this pop music kind of thing.”

“You know things have gone bad when military marches pass for pop music.”

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

“Practically speaking, if timesaving devices really saved time, there would be more time available to us now than ever before in history. But, strangely enough, we seem to have less time than even a few years ago. It's really great fun to go someplace where there are no timesaving devices because, when you do, you find that you have lots of time. Elsewhere, you're too busy working to pay for machines to save you time so you won't have to work so hard.”

“As a professional I practice six or seven hours per day, though it depends on my schedule. That's how it is as a musician. It's only when you reach grade five you take them more serious. Until then I saw it as fun. I used to learn them by play pop tunes on the piano. They have harmonies and broken chords and can be used as building blocks to help you with scales.”