“What's more important for me is the brand name Lucy Aharish. The Arab sector does not pay me a salary. My national identity is that of an Arab-Israeli. I identify with Palestinian suffering, but I am not part of it. I have a different suffering here: I am not getting the rights that accrue to me as a citizen of Israel – such as better mortgage terms – because I did not do army service.”

Letter from Naples, Italy to Otto Grautoff (1896); as quoted in A Gorgon's Mask: The Mother in Thomas Mann's Fiction (2005) by Lewis A. Lawson, p. 34
Context: I think of my suffering, of the problem of my suffering. What am I suffering from? From knowledge — is it going to destroy me? What am I suffering from? From sexuality — is it going to destroy me? How I hate it, this knowledge which forces even art to join it! How I hate it, this sensuality, which claims everything fine and good is its consequence and effect. Alas, it is the poison that lurks in everything fine and good! — How am I to free myself of knowledge? By religion? How am I to free myself of sexuality? By eating rice?

November 5, 2002 Times Newspaper http://www.timesonline.co.uk/article/0,,7-469593,00.html
2000s

G-d's Law: an Interview with Rabbi Meir Kahane https://web.archive.org/web/20090219141224/http://kahane.org/meir/interview.htm

Original: Je suis un grand artiste et je le sais. C'est parce que je le suis que j'ai tellement enduré de souffrances. Pour poursuivre ma voie, sinon je me considérerai comme un brigand. Ce que je suis du reste pour beaucoup de personnes. Enfin, qu'importe! Ce qui me chagrine le plus c'est moins la misère que les empêchements perpétuels à mon art que je ne puis faire comme je le sens et comme je pourais le faire sans la misère qui me lie les bras. Tu me dis que j'ai tort de rester éloigné du centre artistique. Non, j'ai raison, je sais depuis longtemps ce que je fais et pourquoi je le fais. Mon centre artistique est dans mon cerveau et pas ailleurs et je suis fort parce que je ne suis jamais dérouté par les autres et je fais ce qui est en moi.
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 53-54: Quote in a letter to his wife, Mette (Tahiti, March 1892)

Coming Out Speech (2014)

To one of his executioners, whom he noticed weeping, as quoted in Dictionary of Greek and Roman Biography and Mythology (1844) by WIlliam Smith, p. 73.

Source: Autobiography of Andrew Carnegie, 1920, Chapter VII

Khaled Mashal cited in Hamas softens Israel stance in calls for Palestinian state http://news.independent.co.uk/world/middle_east/article2144060.ece at Independent.co.uk, 11 January 2007: Mashal on Isreal recent work in another interview.
2007

Source: Seven Pillars of Wisdom (1922), Ch. 20
Context: Feisal asked me if I would wear Arab clothes like his own while in the camp. I should find it better for my own part, since it was a comfortable dress in which to live Arab-fashion as we must do. Besides, the tribesmen would then understand how to take me. The only wearers of khaki in their experience had been Turkish officers, before whom they took up an instinctive defence. If I wore Meccan clothes, they would behave to me as though I were really one of the leaders; and I might slip in and out of Feisal's tent without making a sensation which he had to explain away each time to strangers. I agreed at once, very gladly; for army uniform was abominable when camel-riding or when sitting about on the ground; and the Arab things, which I had learned to manage before the war, were cleaner and more decent in the desert.