“Oh, goddammit, we forgot the silent prayer.”

Nach dem Abendbrot sitzen wir an der Kirche in einem stillen Winkel. Wie von ferne hören wir Gebet und Singen. Die Mönche halten ihre Abendandacht. Und dann wird es still, wunderbar still!
Die Sonne ist schon untergegangen. … Auch wir schweigen. … Irgendwo wird eine Tür geschlossen. Eine Männer-, dann eine Frauenstimme. Kinderbeten! Du lieber Jesus mein! Dann wird es wieder still. Wunderbar still!
Die Nacht legt ihre breiten, schwarzen Flügel auf das Land.
Michael: a German fate in diary notes (1926)

Short fiction, The Spawn Of Dagon (1938)

The Mouse's Petition (1773)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 397.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 22.

Rolling Stone interview (2005)
Context: I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at.
I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind — even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling.
Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!

Source: Snakehead

Words, Words, Words (2010)

When You Come Back to Me Again, written by Jenny Yates and G. Brooks.
Song lyrics, Scarecrow (2001)