“Taking courage and looking forward from the standpoint of higher ideas born of the multiplication of the arts, they gave up huts and began to build houses with foundations, having brick or stone walls, and roofs of timber and tiles; next, observation and application led them from fluctuating and indefinite conceptions to definite rules of symmetry. Perceiving that nature had been lavish in the bestowal of timber and bountiful in stores of building material, they… embellished them with luxuries.”

— Vitruvius , book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 7

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Taking courage and looking forward from the standpoint of higher ideas born of the multiplication of the arts, they gav…" by Vitruvius?

Vitruvius 203

Roman writer, architect and engineer -80–-15 BC

Related quotes

“Order and discipline are the most important things in an army, and without them it is impossible to have any other service of the troops than of a confused heap of stones, bricks, timber, and tiles; but when everything is in its due place, as in a building, when the foundations and the covering are made of materials that will not grow rotten, and which no wet can damage, such as are stones and tiles, and when the bricks and timber are employed in their due places in the body of the edifice, they altogether make a house, which we value among our most considerable enjoyments.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Memorabilia III.1
Xenophon

“Where the bricks are fallen
We will build with new stone
Where the beams are rotten
We will build with new timbers
Where the word is unspoken
We will build with new speech
There is work together
A Church for all
And a job for each
Every man to his work.”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

“So I had carved one face with hollows curving in-out, in-out, very simple really. I set the timber upright and Frank Stella came in and came over and looked at the chiseling and said it looked good. He turned around to the back of the piece which was uncut – the backside of the timber – and he said, you know that's sculpture too. I supposed what he meant to say was, that cutting was a good idea and the idea of not cutting was good too. But you know, I thought to myself, yes the uncut side is really much better than the cut side. The form of the timber was by no way improved by my cutting into it. From that time, I began to think that the next timbers I get I'm not going to cut. I'm going to combine the timbers; I'm going to use them as cuts in space. I began to look for what I call 'particles”

Carl Andre (1935) American artist

that is, units which are identical in shape – and finding ways to combine these particles by properties of the individual particles. That is, no gluing and no nailing and no joining.
Source: Artists talks 1969 – 1977, p. 29