The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
“Shadow is the diminution alike of light and of darkness, and stands between darkness and light.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
In 'Dynanisme plastique' 1914, Boccioni; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 132
1914 - 1916
To Leon Goldensohn, July 20, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 37
“The body which is nearest to the light casts the largest shadow, and why?”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: The body which is nearest to the light casts the largest shadow, and why? If an object placed in front of a single light is very close to it you will see that it casts a very large shadow on the opposite wall, and the farther you remove the object from the light the smaller will the image of the shadow become.
“Darkness is absence of light. Shadow is diminution of light.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
“Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body. Shadow is of the nature of darkness. Light is of the nature of a luminous body; one conceals and the other reveals. They are always associated and inseparable from all objects. But shadow is a more powerful agent than light, for it can impede and entirely deprive bodies of their light, while light can never entirely expel shadow from a body, that is from an opaque body.
“Night, the shadow of light,
And Life, the shadow of death.”
Second chorus, lines 1-12.
Atalanta in Calydon (1865)
Context: Before the beginning of years
There came to the making of man
Time with a gift of tears,
Grief with a glass that ran,
Pleasure with pain for leaven,
Summer with flowers that fell,
Remembrance fallen from heaven,
And Madness risen from hell,
Strength without hands to smite,
Love that endures for a breath;
Night, the shadow of light,
And Life, the shadow of death.
