“The mind's ability to attend to its own representing activity is a distinct ability, logically presupposed as a condition of experience. (We couldn't be representing objects unless, in all cases of such representing, we could also become conscious of our representing.) … All consciousness … is a species of self-consciousness, representing objects is at the same time attending to the mind's activities.”

Source: Forced to be Free (1971), p. 71

Part II. Of the Extent of Sensible Knowledge.
The Physiology of the Senses: Or, How and what We See, Hear, Taste, Feel and Smell (1856)

Source: Praise of Eloquence (1523), p. 63

for any proper answer for the question of questions.
"War of the Worldviews", p. 353
Leonardo's Mountain of Clams and the Diet of Worms (1998)

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The air is filled with endless images of the objects distributed in it; and all are represented in all, and all in one, and all in each, whence it happens that if two mirrors are placed in such a manner as to face each other exactly, the first will be reflected in the second and the second in the first. The first being reflected in the second takes to it the image of itself with all the images represented in it, among which is the image of the second mirror, and so, image within image, they go on to infinity in such a manner as that each mirror has within it a mirror, each smaller than the last and one inside the other. Thus, by this example, it is clearly proved that every object sends its image to every spot whence the object itself can be seen; and the converse: That the same object may receive in itself all the images of the objects that are in front of it.

Source: 1980s, Three Faces of Power, 1989, p. 96 quoted in: Andrew Mearman (2011) " Three cheers for Kenneth Boulding! http://www.ntu.ac.uk/nbs/document_uploads/109014.pdf"

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Context: "Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and … and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..." ~ Karl Edward Wagner, Midnight Sun, "The Once and Future Kane", 2007, (First published in REH: Lone Star Fictioneer #1, Spring 1975)

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

May 2007
David Trézéguet (08/05/03)
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