“Right here you made an angel of yourself,
free-falling backwards into last night's snow,
indenting a straight, neat, crucified shape,
then flapping your arms, one stroke, a great bird,
to leave the impression of wings. It worked.”

Source: Going Bovine (2009), p. 389
Context: Marisol does a silly dance with Balder and the screw, one in each hand, so that nobody gets the idea that she takes tins — or anything else, for that matter — seriously. And just like that, something in the cosmos shifts. A butterfly flaps its wings in South America. Snow falls in Chicago. You give an idiot a stupid magic screw and it turns out to be a necessary part after all.

Source: Night World, No. 1

Speech to the Bar Association of Boston, in Speeches (1913), p. 85.
1910s

Speech to the Western Society of Engineers (18 September 1901); published in the Journal of the Western Society of Engineers (December 1901); republished with revisions by the author for the Annual Report of the Board of Regents of the Smithsonian Institution (1902) http://invention.psychology.msstate.edu/i/Wrights/library/Aeronautical.html
Context: The person who merely watches the flight of a bird gathers the impression that the bird has nothing to think of but the flapping of its wings. As a matter of fact this is a very small part of its mental labor. To even mention all the things the bird must constantly keep in mind in order to fly securely through the air would take a considerable part of the evening. If I take this piece of paper, and after placing it parallel with the ground, quickly let it fall, it will not settle steadily down as a staid, sensible piece of paper ought to do, but it insists on contravening every recognized rule of decorum, turning over and darting hither and thither in the most erratic manner, much after the style of an untrained horse. Yet this is the style of steed that men must learn to manage before flying can become an everyday sport. The bird has learned this art of equilibrium, and learned it so thoroughly that its skill is not apparent to our sight. We only learn to appreciate it when we try to imitate it.

Section 3 (p. 245; closing words)
Tales of Nevèrÿon (1979)

Angel
Song lyrics, Surfacing (1997)

Libero è il voto, e inviolato il dritto:
Ma la vittoria è di chi tira dritto.
Stornelli Politici, "Il Voto".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 355.

Lt. Cmdr. Charles E. Madison.
The Americanization of Emily (1964)
Context: You're forever falling for men on their last nights on furlough. That's about the limit of your commitments, one night, a day, a month. You prefer lovers to husbands, hotels to homes. You'd rather grieve than live.